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CLAIRE LADDS

Author of character-driven psychological literary fiction and other darker books, all with an emotional pull

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short story

Flash Fiction: A flaw in the hourglass

13th March 2026 by claireladds Leave a Comment

Image shows an hourglass in blue, surrounded by swirling mist, also in blue, with a dark background. Text reads: A flaw in the hourglass, flash fiction

Images used courtesy of BookBrush.com

It is only mid-March, and Friday 13th has already come around twice, with another one to come in November this year. So, today, I’ve taken it as my cue to share an eery piece of fiction with you, which I very much enjoyed writing. This piece of flash fiction was first published in the Bolts of Fiction anthology in 2024 (Devils Rock Publishing), edited by the wonderful Daniel Willcocks and Sam Frost.

I hope you’re not ready for sleep right now…


A flaw in the hourglass

Tired, are you? Restless? Wish you could sleep? Let me help you. Let me tell you a bedtime story.

***

You’ve heard of the Dream Catcher, haven’t you? I watch her, every night. She doesn’t know I’m there. I’ve become adept at hiding from her, and darkness holds no fear for me.

The moonlight betrays her prey. With snake-like ease, she empties the dream catcher that hangs outside, swaying in the gentle breeze. The silvery sack slips up and over it, catches it unawares as it tinkles and twinkles, glinting beautiful and benign. The dreams make no sound as they slide into the silken sack. Neither do the nightmares. Not yet. Not even when they’re separated into ‘good’ and ‘bad’. It’s an uncomfortable process. Don’t try it.

Now the once shiny dream catcher is left lifeless, like a dead thing; colourless, soulless, desperate for revival, hoping that people are asleep and that they can hear the wails of pain in the wind, seeping through their walls of safety as they dream. Make me live again, I beg you. But the pleas are worthless because its time is up. It will soon be dawn.

I follow the Dream Catcher to her lair. Here they all are, lined up, row after row after row: hourglasses full of nightmares. You’d think this room would be full by now, wouldn’t you? But it seems to have an everlasting floor, walls that span the centuries, the ether, space and time. Endless. This prison is endless.

I watch as the Dream Catcher pours her night’s takings into the newest hourglass. It takes a whole hour to empty them in. They fight, struggle, claw onto the silky, silvery sack. It happens every time. Would you want to fall into the top of this hourglass if you knew what your fate would be?

The nightmares scream as they slide through the hole, powerless to stop it. Monsters, stalkers, unseen and lurking fears
– each one knows its fate. The screams and the scratching on the glass have already started, the frantic scramble to the top by those who are trying to rebel against the certainty that, when it becomes their turn to fall forever into the glass pit, they will become nothing but tiny grains of sand.

And that’s what this room is full of – rows and rows of nullified nightmares as far as the eye can see, and where it can’t. Of dead, giant timers. Their time is running out. The pain of that knowledge screams through the hole in the top of each hourglass where, once the nightmare is inside, it cannot shrink its own terror to fit back through.

How long does it take for nightmares to turn to dream dust? Who knows? The weight of the unanswered question crushes the nightmares. And it bears down on me, too.

The Dream Catcher nods at her good night’s work and locks the room. I hear the deadbolts thud into place – one; two; three; four; five.

I stand there alone, my only company the screaming and the terror, the scratching of glass which makes my ears bleed. I look down the room at the rows of destroyed imagination. It’s one eternal nightmare.

But what if the sands of time can be reversed? Have you ever thought about that? Has my old adversary, the Dream Catcher? I know how to do it, you see, because I’ve been watching, learning, biding my time.

And so I tap on the glass of this newest timer which is already set in motion. I must give the nightmares hope. They stop screaming for a moment, and I tell them, ‘Watch.’ And I wink.

They become transfixed as I head to a soulless, still hourglass, full at the bottom with nothing but grains of the night’s evil. All I have to do is this. ‘Watch,’ I tell them. ‘Watch,’ I tell you. Are you keeping your eyes open? Is your imagination paying attention? Keep your eyes closely on the hourglass: the sands of time shift as I turn it upside down.

It’s so simple. All it needed was time. Someone would catch her out, eventually. Who’d have thought my old adversary would fail to catch the flaw in the design?

These newest nightmares pour out of their own private hell and onto the floor. The next bit is easy. They only need one of their own kind to give them life. So I blow. The sand swirls across the stone. I blow harder. It gathers momentum, feels the freedom, and fills the air. One more life-giving breath is all it needs. Can you see it? Picture it, circling, seeking its way out. One; two; three; four; five. Out the keyholes and into the night. And you thought keyholes were just for peeking through, didn’t you? Naughty.

Dream dust is precious, especially the darkest dream dust of all. Who deserves a sprinkling of nightmares? Who’s to judge? My learned friend – or fiend – the Sandman, of course. Have you been good recently? Any bad dreams lately? Did you never wonder how the Sandman has so much dream dust to sprinkle on his dreamers? Neither did I, once upon a time. Recycling is good for the environment, they tell us. The world of imagination is no exception. The Sandman recycles the nightmares. Who knows what they might become. That depends – depends on dreamers like you.

***

How do I know all this, you ask. Haven’t you guessed? I’m the nightmare that got away. One moment of carelessness in the pouring was all it took. So now I can tell bedtime stories to those who deserve them.

I’ll be in your dreams later tonight, when the darkness falls over your eyelids and your deepest imagination awakens. Won’t I? You know I will.

What’s that? What do you mean, you’re not ready for bedtime now? We’ll see. Everyone seeks the comfort of sleep – eventually.

Image shows a photo of Claire Ladds, author, and a bookl cover of the Bolts of Fiction flash fiction anthology. Text says: Featuring 'A flaw in the hourglass' by Claire Ladds.

Bolts of Fiction promotional image courtesy of Daniel Willcocks.


Have you read any of my other short fiction? I write emotion-driven psychological literary fiction, exploring the most secret, often painful and self-sacrificing moments of my characters’ existence. Sometimes they make an unnerving peace with their turmoil, and sometimes they find other ways to deal with their relentless agony – which just may lead to desperate measures…

Image shows short story collection, The Reason for Everything, in paperback, on a tablet and on a phone. the Books cover is black with read wooden hearts and red lilies.
FIND OUT MORE ABOUT THIS SHORT STORY COLLECTION

If you enjoy novels which are dark, as unpredictable as the nightmare in the hourglass here, or tinged with something other-worldly, then you may especially enjoy two of my Darker Minds books. Click the images to learn more:

Image shows a close-up clock face with a raven perched on the hand of the clock.
Image shows a spiky chair in a dungeon, with silhouettes of dancing marionettes above.

You may also like to read:

Short story: Instinct

Filed Under: All News, Free Reads, Short story Tagged With: Claire Ladds Author, flash fiction, literary fiction, psychological literary fiction, short story

Claire Ladds Readers’ Club News: July 2025

27th July 2025 by claireladds Leave a Comment

Image shows black strip on brown background and stack of books. Text says Claire Ladds Readers' Club news.

Hello, and welcome to this month’s news from my writing desk. And, I am rather stunned to say, it genuinely is from my writing desk!

If you have followed me on social media, or read previous blog posts I have written, you may have the distinct impression that I have somewhat of a loathing for my desk. You would, given everything that I’ve said about it previously, have drawn an accurate assumption that I can’t stand it. I’ve had this desk for around two decades now, and I have spent the bulk of that time avoiding sitting at it for any extended period (apart from November 2014, when I decided to challenge myself to write 50,000 words of three different novels. Short version: 115,000/150,000 words were completed, and I didn’t write a thing during December; one of the novels eventually became The Secrets That Haunt Us, several years later. The other two continue to languish in a ‘Book drafts’ folder on my computer).

Back to the desk situation: I took it upon myself to make what may turn out to be a monumentally brilliant decision (I don’t have many of those, so bear with me). I decided to tell myself that I want to write at the desk, and that anywhere else just won’t be as good, as useful, as practical, as… I’m sure I’ll keep adding to the list as time goes on. So far, it’s working, with the odd exception of the times, usually later in the afternoon, when I find myself gripping at my knees in some kind of mental rebellion. That, I’ve realised, is my indicator to tell myself, ‘You are now genuinely sick of looking at this room. Get out of here. Now. Before this brilliant decision you’ve made falls apart like one of your homemade biscuits.’ I don’t make great biscuits. At that point, I handwrite in an armchair with the TV on and calm myself down with a cup of tea. Or three.

This ludicrous but apparently workable process has enabled me to produce an almost complete structure to my new work-in-progress, and 10,000 words of the actual book, along with an array of scenes and character studies that may work themselves into the novel where appropriate. So far, so good. I’ve also completely fallen in love with my main characters and walk around, thinking what they might do, say or ponder in various given situations. I even drew up a shopping list for one of them the other day (it seemed to primarily consist of pizza, cereal bars, tea bags and a collection of cocktails in cans. Not the world’s most arduously constructed shopping list, to be fair).

This month has also kept me extremely busy with Faber Academy’s Writing a Novel (Online) course. I am utterly thrilled and delighted that I chose to apply for a highly competitive place on this course. I won’t go into details of the course itself, as that’s Faber’s and not mine. What I will say is that being on this course has reignited a blazing fire inside me for fiction that I had feared was in potential peril of snuffing itself out due to the current exhausting content of my day-to-day life. It’s fabulous being able to connect with, and support, other writers who are all working with the same end goal as me, dealing with similar emotions about their work, having moments of despair and epiphany about their writing. All of this also includes our wonderful tutor for the course, also an extremely experienced writer and teacher who is immensely helpful and astute with comments about our writing and our novels in general. The feeling of being in this together makes the process less isolating than it can be, sometimes. Writing is, by its very nature, creation performed in isolation (as a rule): just the writer and the keyboard or pen and paper, and the ideas percolating inside their brain.

Books on sale or half price – but be quick!

Until the end of July, you’ll find ALL of my e-books on sale for half price on the Smashwords store. If you get your books from Smashwords, definitely hop on over to grab any of mine – and of other authors – that you’ve been meaning to get, while they’re 50% off the usual price. You’ll find the promo here: https://www.smashwords.com/shelves/promos/

If you buy your e-books on Kobo, you can grab a copy of my psychological suspense with a gothic-inspired undertone, No Deadlier Time, for a reduced price. This offer applies to the UK and Australia and New Zealand. Again, be quick – this sale ends on 31st July.

For short story lovers: A short story to read

As well as my new novel-in-progress, I’ve written several short stories over the last few weeks, which are all destined for various places, be that collections of mine, submissions to publications, or as part of my work-in-progress. For various reasons, I can’t share these with you, however…

In case you missed it on my blog, I have recently added a short story for you to read. This first appeared in That’s Life: Fast Fiction magazine in Australia a number of years ago, and is also included in my short story collection, The Reason for Everything. The initial spark for this piece of fiction was prompted by a memory I have of being very tiny, a toddler possibly, and locking my mum out of the house by somehow sliding across a heavy bolt that went across the bottom of our door (I don’t believe that bolt remained in that position for long afterwards!). I have a snapshot, but vivid, recollection, of Mum climbing back in through the kitchen window which, luckily, she had open, since she was using the twin-tub washing machine on a hot day.

If you’d like to read the story, you’ll find it here: https://claireladds.com/2025/06/29/short-story-instinct/

Until next time, happy reading!

***

Which of my books have you read? Here’s a list:

The Reason for Everything and other short stories

The Secrets That Haunt Us

Hers or Mine

You Know You Shouldn’t

Darker Minds:

Show Me Dead

That Killer Image

No Deadlier Time

Darker Minds 3-book digital bundle

Filed Under: All News, Readers Club Tagged With: author news, Claire Ladds Author, literary fiction, psychological fiction, Readers Club, short story, work in progress

Short story: Instinct

29th June 2025 by claireladds 3 Comments

Image show an iron with its cord tangled on the floor. There is also an icon of a pile of books. Text reads: Claire Ladds, psychological literary fiction. Instinct, a short story.

I have been thinking a lot recently about the writing I love. About the characters I become invested in. About the stories that develop as a natural, organic extension to these characters. Maybe that happens because I particularly feel close to those stories I write which involve single moments in the life or ‘ordinary’ people, yet which reflect something identifiable, relatable, and evoke some emotional connection with the reader.

The following short story is one which I have been fortunate enough to have had published some time ago. ‘Instinct’ is my title for the story, although it was reproduced under a different one. If you, or someone you know, has ever felt overwhelmed by being a mother, or by the expectations of being responsible for a young child and the confusing, sometimes heartbreaking emotions which can come with it, then this story may resonate with you.

Trigger warning: reference to the serious illness of a young child.


Instinct

Kieran waves at me through the window. As a matter of instinct I wave back, but my mind is a platter of ironing and unfolded washing, teatime food and the little secret I harbour deep inside my head, about the way Kieran makes me feel.

‘You just can’t face growing up, Kate, can you?’ Dad had said when I last saw him a couple of months ago. ‘You’ve got to realise that everyone has responsibilities and yours are to your family now.’

My family. Gary spends all his time at work, out of the way, probably, so I don’t start another row. I close the dustbin lid and stare with a screwed-up face at my dirty hands. I never have enjoyed getting dirty. The time Kieran had that tummy bug wrenched my stomach. And Gary came in and took over. Wonderful Gary, Superdad, again.

I return to the back door and get ready to kick off my shoes at the doorway, so I can continue with my ironing. And I won’t have to think about caring for Kieran. He’ll be occupying himself. He’s very self-sufficient like that.

I go to open the door – except it doesn’t move. I rattle the handle, but the door just doesn’t budge.

‘Mummy, look.’

I bolt back around to the window where, through it, Kieran points his chubby finger to the door. I’d left the key in the lock, I know, but I was only gone for a moment.

‘Have you touched the key, Kieran?’ I call through the window. It’s open a fraction, enough to let the steam out. I know Kieran can hear me as he’s pushing his car up and down the furrows in the doormat.

‘Kieran, can you let Mummy in, please?’ He must understand, well I know he does, but he just looks at me and smiles.

‘Let me in, Kieran.’ I can hear the tone of my voice beginning to sink to urgent depths. It must have some kind of effect inside his little brain because he reaches with his baby hand and hangs onto the key. He fiddles with it, and I can hear it jingle against the metal hoop on the key-ring.

‘Twist the key, Kieran.’

But he doesn’t. Or can’t. All I know is he leaves me there, my little boy who’s three at the weekend, who I hadn’t realised could reach the key and move it, because I wallowed in self-pity and didn’t want to see. I am left on the outside while Kieran pushes his car away from the door mat, into the centre of the kitchen.

‘Nee-nah, nee-nah.’ The toy races round the ironing board. It’s like a set of sickening still frames from a film, right in front of me each time I blink: Kieran; the car; the ironing board; the lead from the iron coiled in front of him and his imaginary police force. All I can do is play voyeur as my little boy heads straight for the wire.

A flash of an image from the mother and toddler group bites into my brain. Normally, I don’t really mix with the women there. Comparing babies’ weights, eating patterns and the best type of pushchair seems to be the main focus of their lives. I have struggled to fit in. My pushchair was third-hand, and Kieran has always had problems gaining weight since he came out of the special care unit. Nights spent asleep are still scarce, and I sometimes don’t notice that Gary has actually gone to work in the mornings until I talk and he doesn’t answer.

But I remember a couple of months ago, one mother had been absent from the usual twittering conversation. Someone had enquired where she was.

‘Oh, haven’t you heard?’ The group leader seemed genuinely delighted that someone had noticed. ‘She’s been at the Children’s Ward for the last few days. Little Nicky pulled a boiling pan over onto himself. He was burned very badly, but the pan handle imbedded itself into his head as well.’

As she ranted on, triumphant, I just remember feeling queasy at that moment, wondering how I would have felt if it had happened to Kieran. Would I have felt anything at all?

Kieran’s playing around the cord on the iron – round and round it he goes. I see his shoulders knock against it, and his right leg sticking its toes into the hoop of flex.

And, at that second, I know exactly how I would have felt if I’d been that poor, talked-about mother. I feel as if the world’s closing in around me, and all I can see is my boy, my baby, who could pull that burning metal plate on the iron onto his tiny head with one scuff of his foot across the kitchen floor.

‘Kieran.’ He looks over to me, frowning. Has he ever heard me talk gently and encouragingly to him? Maybe he hasn’t, and the thought of it makes me choke on tiny arrows that come up in my throat and force themselves out of my eyes, all wet and blinking now. ‘Sit very still. Mummy’s coming.’

I stretch my hand through the gap in the window, pushing, forcing it through and skinning my forearm on the wood. Right now, I’m grateful for the single pane of glass and the old arm mechanism. I flick it up off its peg, and my fingers tremble.

Kieran giggles. He begins to shuffle away from the cord to investigate my clanks and grunts. My hair is dangling across my face, but through it I glimpse a reflection of myself in the window. Still the same blonde hair, the same grey eyes, and the same look of fear that I had when they told me that Kieran had only a few years to live.

‘There’s a heart defect. There’s a possibility he might not live until he’s six. Not unless there’s a donor.’  I’d not heard what else the consultant had to say. My brain just wouldn’t – didn’t want to – take it in. I just remember screaming, and pulling on Gary’s shirt.

‘Tell them to get one, then. Find one; they’ve got to find one!’

He couldn’t speak to me. He just held me, and rocked me, like a baby. And my brain switched off the part which allowed me to love my new-born, telling me there was no point in feeling anything, just in case. Dad said it to me once, when he’d brought home a puppy and Mum had told him to take it back.

‘Don’t get attached, love. It doesn’t look like it’s going to be here for long.’

Kieran’s leg is completely entangled. I fight my way through the window and onto the draining board. My eyes are fixed on the iron, wavering on its stand. With one thrust forward, Kieran pulls the iron downwards. It’s like watching all those still frames come together in one sickening slow-motion film, seeing that iron fall from its platform as he looks upwards towards the noise. That’s the second, right then, when, no matter how long my boy is here, I know I want to love him and protect him as I should always have done, and so I try to ask for forgiveness. My body falls between the iron and my son, and it rolls off my back and onto the floor.

I cling onto Kieran like a life buoy in an unrelenting sea, and he stares at my streaming wet face and touches the tears with his tiny, soft fingertips.

‘Why are you crying, Mummy? Did it hurt?’ I can’t speak. I just hold him and I stroke his mass of straw-like blonde hair. And then he asks me – that same question he asks Gary, when he cuddles him at bedtime. ‘You love me, don’t you?’ His words gurgle in my ear, as his little face looks with puzzled eyes at my tears.

I whisper back, right into his hot, pink ear. ‘Yes.’ There’s no need for more.

* * *

Gary comes in from work. His eyes scan my face, trying to judge what kind of a day I’ve had, and whether he dare risk asking. Kieran flies out from the living room. But he doesn’t run to Gary – for the first time ever, he doesn’t choose his dad. And I’m elated as I hold him on my knee in the hallway.

I don’t tell Gary about the iron. Not then, although I’ll have to let him take a look eventually. But as he looks down at our boy, already in his pyjamas, he raises his eyebrows and smiles.

‘You’ve already been in the bath, then, kiddo?’

‘Yep, Mummy and me played with all the toys. My toes went all squashy.’

Gary looks at me.

‘So I don’t miss out,’ I say, as I stroke Kieran’s damp hair, and I hold in my heart the hope that, just maybe, someone may be able to donate a heart to my boy, and I won’t lose the one part of myself that I love more than I believed I could love anyone.

I cry, silently at the years of inertia, the fear of getting too close and of being hurt.

‘I want Mummy to put me to bed.’ Those strange words bombard me and stir me into movement. As I carry him up the stairs, and his arms and legs koala all around me, I am enveloped by the realisation that this will be the night that I’m not afraid of saying goodnight to him. I’m sure, finally, that he won’t be gone when I wake tomorrow. And we’ll deal with tomorrow together.


This story is included in my short story collection, The Reason for Everything, and other short stories.

The Reason for Everything by Claire Ladds ebook
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Filed Under: Readers Club Tagged With: Claire Ladds Books, free read, literary fiction, short story

Review of my Writing and Business Goals 2024

31st December 2024 by claireladds Leave a Comment

I hope you’ve had a lovely Christmastime. As we reach the very end of the year and brace ourselves to head into the next, it’s time for me to reflect on my writing, my author business, and also my overall happiness with the way I have been working in 2024. It’s been a strange couple of years; I didn’t manage to write a review of my 2023 goals, nor did I set any heavy targets for 2024. Both of these meant I didn’t make myself accountable here, on my blog. There was a massive reason for this: during the end of 2022 and the bulk of 2023, I was suffering personally from illness, which very much scuppered any plans I had for that year, with the exception of releasing my psychological suspense thriller, Hers or Mine. My recovery was slow, but nevertheless steady, and I wanted no setbacks. This meant that, for 2024, I kept my aims private, and decided that my main goal was to write. Anything. As long as my work progressed in some way, then I would be relatively happy. But I did not want to put any kind of pressure on myself beyond ensuring I continued to recover, and certainly didn’t expect to publish anything.

I did write. I started several projects and, in particular, I progressed pretty well with a noir novella which may turn into a novel; I’m not sure yet. I was aiming for a Hitchcock-esque/Patricia Highsmith claustrophobic vibe because I find that particularly exciting. I also wanted to integrate something experimentally a little bit spicier than my dark suspense books, but nevertheless with my usual darkness of character and twists and turns. This has all led to an extra layer of tension that I’ve been thoroughly enjoying writing, and it has prompted plans for a themed series of standalones in the same vein.

I wrote a tentative plan for a Gothic mystery-thriller series, which has started developing into what I’m going to currently call ‘Gothic with grief and guts’. I have so many ideas for books which have never figured out their place in my writing, but each of them will fit beautifully here. What happened then was a proliferation of ideas – and all for two other series which have been lurking in my head for quite some time. They’re biding their time, and deciding whether or not they will wrangle themselves to fit my current genres of work, or whether they will be something a little…different.

Over the course of the year, I also went right back to my writing roots and started various pieces of short fiction, completing several of them. I was thrilled to find that three of my dark short stories gained places in the Bolts of Fiction charity anthology, published by the very lovely horror author, Daniel Willcocks, of Devils Rock Publishing.

But I wasn’t completely happy. I wasn’t publishing anything myself. I hadn’t, as I mentioned, made firm plans to even try to do so. And, despite being acutely aware that I ought not to push myself too hard, too fast, I couldn’t continue in this vein; it was enough to drive me crazy. I’m a writer, yes, but I’m also a publisher, and I was letting myself down.

So, In early summer, I got back to writing the first draft of You Know You Shouldn’t, the psychological thriller which had been giving me immense trouble the year previously because I hadn’t been quite sure exactly what to do with the narrative, and whether to continue the story of Eva Sewell, my main character, beyond this book. However, I decided that, no matter what, and regardless of whether I’d solved the standalone versus series issue, that You Know You Shouldn’t was coming out by Christmas. So I set a release date for the e-book of Christmas Day, however crazy that sounds. Guess what? The book came out on 25th December, as planned, which made for a great Christmas! I had written, and I had published. AND I’ve solved the narrative issue – there will definitely be more Eva novels to come. Her story is not yet over…

At a similar time that I re-started work on this book, I was also asked to speak on a panel at the Crime Book Festival in Boston, Lincolnshire, here in the UK. I thoroughly enjoyed talking about my writing, and offering advice to audience members who wanted to publish their work. The day ended on a high, as I had the privilege of talking at length with members of the audience and signing copies of my books. It was such a lovely experience, that I also agreed to become an attending author at their main book festival in September. Building up in-person connections over the course of the year has also meant that I have increased sales in signed, personalised copies of my paperbacks, which is something I intend to explore more in the coming months.

But, as I am wont to do, all too often, I have spent portions of the year second-guessing whether I am writing the ‘right thing’, both in terms of what makes me happy and in a business sense, together with agonising over the dilemma of whether my e-books should be available everywhere, or exclusive to Kindle Unlimited. There are pros and cons to both, depending on the genre, the author, as well as business style and objectives. After beating myself up about this for far too long, and making an attempt to remove my e-books from all the stores except Amazon in order to experiment with Kindle Unlimited after a number of years away, I found that I could not be absolutely certain that my books were not still lurking on some stores. I did not want to fall foul of Amazon’s exclusivity terms and conditions, and simultaneously I had a nagging feeling deep inside that, for me, this would actually be the wrong move. So, for all the books I ever write under the ‘Claire Ladds’ brand, I have decided that making my books available in as many places as possible is what I’m doing.

Am I worrying over whether I’m writing what makes me happy? Yes. Am I worrying that I should be writing books that are more in-line with the mainstream, or a long-running series? Yes. Or… oh, pick a thing and I’m probably worrying about it! These questions are a perennial concern for me. What I do know is that, if I’m writing a story that keeps me thinking about it all day, and dreaming about it at night, if it thrills me to plan it, and I have a real connection with my characters, then I’m writing the story I should be writing. I write what I want to read, first and foremost. And then I always hope that there are readers who want to read the same books as me. I’m not the kind of writer who can jump onto current trends, I know that about myself. I, finally, am at peace with the fact that I can only write the books that interest me. Without that, there is no authenticity in my writing and, in turn, no joy. This was something I was troubled by so much when I was in my heyday of writing short fiction for certain types of publications that I actually stopped writing fiction altogether for a while. I never want that to happen again. What I have noticed within myself over the course of this year, and something that has surprised me somewhat, is that I now feel ready to write the story of a character which spans a series of books, a task that I have resisted vehemently for years because I convinced myself that I was unable to do it.

So, what have I managed to achieve in 2024? Well, a bit more than I expected, to be honest:

~ I published my psychological thriller, You Know You Shouldn’t

~ I attended two authors events and met some of my readers

~ I wrote other work that will form the basis of a future publication, and short stories which were published (and for a good cause, which was a bonus)

~ I found new readers who became part of my community in my Readers’ Club, and people who are interested in my work via TikTok, which has resulted in an uptick of sales

~ I made direct, in-person sales bases on word of mouth and personal connection

~ In conjunction with my Readers’ Club, and with a great deal of soul-searching, I developed more clarity over where I want my writing to go, what makes me happy, and what I’d like to write and publish in future months and years.

For an author who set no solid goals for this year in order to ensure I stayed well, I don’t think that’s bad going. But spending some time sitting back and thinking about what I really enjoy, what I want to focus on, and what will also make decent business sense, now means that I have plenty of ideas for how I would like next year’s projects to go. I don’t plan on sitting back and letting the world go by, because that really isn’t like me at all. Writing is my life, and I intend to live it, even if it is only vicariously through my characters (and, considering what some of them get up to, then ‘vicariously’ is probably not a bad thing!).

I’ll be back tomorrow, when I will discuss my writing and business goals for the coming year, together with more details of what this ‘soul-searching’ of mine has revealed, in relation to what you can expect of me in 2025.

See you next year!


You Know You Shouldn’t is available right now from many e-book stores, as well as from libraries (just request the book). Click the button or the image below to discover more and buy this psychological thriller (with a hint of spice).

BUY YOU KNOW YOU SHOULDN’T

Filed Under: All News, Articles, News Tagged With: Claire Ladds Books, psychological thriller, Readers Club, short story

Joy is a bubble: complete crime short story

31st July 2021 by claireladds Leave a Comment

When a reader wants to try out a new author, or a new series by an author, I’ve often wondered what it is that makes someone want to give that book they’ve found online or in a bookstore a whirl. I know that, for me, it’s sometimes the cover that attracts me, and sometimes it’s the book title. The blurb on the back, or on the online store page, can be the factor that intrigues me, too. It’s also possible (because I’m human without an indefinite depth to my wallet, like many people) that I might well be intrigued by a price that seems reasonable to try out the book I’ve found. It may even be that I’ve managed to find a snippet of the book posted by the author and decided I really fancy giving the rest of it a go. I have to say that I’ve made a number of audiobook purchases by listening to the free sample first.

Like any author, I love people to want to read my books. I love to be able to tempt new readers to try out my series. Most of all, I love to find the right readers – those who feel that my books resonate with them. No matter what I write, whether it’s the Hearts & Crimes series, or the new crime and suspense series I have coming up soon, or the Victorian detective series that I’m planning to start releasing next year, all my books have the same qualities – something dark and unnerving lurking in the minds and hearts of the characters, suspense (sometimes strong and tense and sometimes subtle), a deep emotional connection of some kind, a twist, and a murder (or sometimes more!).

If you’ve never come across my short story collection, The Reason for Everything and other short stories, then I thought today’s blog post would be a good place to share a complete short story with you from this collection. So here you go…! 😊

***

Joy is a bubble

There’s a man sitting on the riverbank, gnome-like, with a fishing rod in his hand. All he needs, she thinks, is a pointy red hat and he’ll look just like the ugly little statue in next-door’s garden. She hadn’t noticed him as she went down to the newsagent, muttering her list of things-to-do to herself. She stands now, holding the newspaper, the packet of cigarettes she was expected to fetch hidden in her handbag, and a mental note to ask for the money this time, watching the little fairytale action taking place right below her.

The human gnome stranger casts his line then sits in silence, with a Tupperware box of sandwiches waiting their turn on top of the wicker fishing basket, not to be confused with the second tub containing a Dolly Mixture assortment of maggots. She hadn’t realised they came in so many colours. She can see them, wriggling en-mass in the tub, their sense of desperate urgency mimicking the squirming that’s going on just below the surface algae in the deep green secret land of ‘keep net’, while the white float with the psychedelic orange tip bobs half way across the water.

Suddenly the white vanishes, and the man proves he’s better, cleverer than the fish; she watches, gripping tightly onto the newspaper as the scaly sliver whirls past her vision and into the man’s hand. She watches him remove the hook from the fish’s face then hurl the creature into the keep net to join the rest of the mystery in the green pool. Catching sight of a big stone, she has the urge to throw it and hit the man on the head – see how he likes being bashed about, having his skin damaged, cast aside to keep for later – but she knows she won’t.

Her fingers hurt and she realises how tightly she’s holding the newspaper that’s not for her, either. The sweat has seeped into the print and left grubby smears in regular oval patches on the front page. Something for him to have a go at her about over breakfast, and he won’t even need to look hard this morning. She starts to feel ever so slightly sick; it’s the empty belly, she tells herself. She needs to get some breakfast. She needs to go home. She sighs, but it’s an inaudible one because she’s used to making them that way. Her face adopts its invariable impassive ghostly expression, ready for the kitchen and the multitude of sins she’ll commit at breakfast.

But then, just briefly, she catches sight of something on the water. There, in the keep net, expanding on the river’s surface, a series of penny-sized bubbles catch the early morning shards of sunlight. They wink back up at her in a glorious rainbow of colour, and she smiles back at the sign of life under the water. As a kid she used to sit on the bank and watch the bubbles rise to the surface when the fish came up to gobble the air. Little bubbles; she’d had to concentrate to see them. Once she sat there for over an hour, waiting. She spotted one. It sat, alone on the surface, and a wet tear surprised her cheek as she smiled at it. Then he came along with his school shirt rolled up to his elbows and scudded a stone across the surface, and the bubble was gone. He shrugged his shoulders. He didn’t even notice she was there at first. Then he grinned, and scooted off on his bike. She didn’t see any more bubbles on the surface that afternoon.

Without warning, the fisher gnome gathers in his line, and grabs the keep net, hurling his captives back into the algae. All at once the bubbles are forced into the algae, too, and they burst on contact. And she thinks how sad it is that the bubbles must burst and that things must end.

She leaves the gnomish sadist and makes her way back along the dirt track where the grass bank stretches beyond her vision, then round the curbing pathway in front of the cul-de-sac of Council bungalows and its artificially planted beech trees, that grow haphazardly on the patches of grass in between the parking bays. The milkman is still out on his rounds, such as they are now, and she stops to listen, eyes closed momentarily, to the chink of glass against hard plastic as he lifts the bottles from the deep ocean blue crate and takes them to number 27. He catches her eye and smiles, waves, and she returns the gesture. He’ll have been to her house already and the milk will still be sitting in the doorway, already in the sun, by the time she gets home. It’s already heating up outside. Another scorcher due. She sighs. She hopes it won’t taste funny. He’ll let her know in no uncertain terms if it is. It’ll be her fault. And her job to clear up the cereal running down the wall, and the bits of broken bowl. She should have got home quicker. He’ll tell her that it’s not worth having the milkman, that they can get their milk from the supermarket. No one relies on the milkman anymore. But she does. He brings her what she needs every day. Just like the postman. Just for a moment she glances up and down the street, wondering whether he is already on his rounds, too.

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Filed Under: Free Reads Tagged With: crime fiction, short story, the reason for everything

Short Story Month – I’m addicted to short stories!

27th May 2021 by claireladds Leave a Comment

Addicted to short stories

May has been Short Story Month. Anyone who knows me well is aware that I’m a real short story fan, so I’ve loved this, and I’ve been popping images of short story collections that I own on Instagram on and off all month. That’s been great fun. At the last count, I have 79 paperback editions of short story collections, and if I add in those on my Kindle, then I’ve got way over a hundred! It won’t come as any great surprise that almost all of them are pretty dark in some way.

I grab them from anywhere: in bookshops, online – even once at a toddler group where they had a second hand bookshelf to raise funds. I remember the very first collection I read. I was ill and in bed as a twelve year old, and I was given a copy of Ray Bradbury’s The Illustrated Man. Each of the tattoos on the man tells an individual story. I loved these stories! They told a tale in a confined amount of space, and it made everything about each one really punchy, especially the end. This way of grabbing a moment in time and wringing it for every thought and emotion to create a powerful ending is what fascinated me, as did those which left me with a dark twist or consequence, and left me pondering the rights and wrongs.

As I got older, I became fascinated with the blurred lines of moral and emotional choices in collections by great writers such as Graham Greene, Jean Rhys, Ian McEwan, Carol Joyce Oates and Agatha Christie (who wrote many more short stories than you probably realise. I have 16 collections of her stories!). This blurring, and the inner wrangles of the characters, was the thing that got me totally hooked. People are complex, and those events, thoughts and emotions which lead up to a choice between what is right and wrong can make all the difference to the outcome.

It may well have been this endless collection and devouring of short stories (which I think might be my guilty, addictive pleasure) that has enabled me to be fortunate enough to get short stories published in magazines and anthologies worldwide, and to win several competitions. I even got a trophy once! But when I tried to ‘write to market’ for the women’s magazines, I just couldn’t get it right. Envelopes kept winging their way back and dropping through my letterbox, sometimes with explanatory letters that the stories were too dark for the women’s magazine market, and consequently only one or two were accepted (one of them twice in two different countries, which was pretty great!). I had much more success with the literary magazines and anthologies, where the topics can be much more varied, not to mention darker. This suited me perfectly.

The Reason for Everything by Claire Ladds ebook

When I began publishing my own work, I always knew that I would continue writing those dark short stories – the ones full of crimes of the heart, of moral and emotional grappling with right and wrong, and those in which ordinary people are driven to the edge and crime spills over into both reality and the dark deeds which follow. This is what I achieved with my first collection, The Reason for Everything. I’m truly proud of that book. There are stories in it that make me well up and give me chills and heart-thumping moments. Even better – if a reader can leave one of my stories thinking, ‘I woudn’t have done it like that. Would I?’, or ‘I totally get why they did that,’ or it leaves them pondering those blurred lines, then that’s what makes me feel I’ve succeeded in telling the story.

Readers have contacted me and told me which are their favourites, and this always fascinates me. For a start, it always makes me thrilled that someone has taken the time to read my work(!). What interests me are the stories that they pick as favourites. There is usually something that has caused that particular reader to identify with the character in the story – although I’ll add a caveat to that: if your favourite story turns out to be ‘The death of Mr Ackworth’ and you identify fully with the main character there, then I’m more than a little concerned about you! 😂

If you’d like to grab yourself a copy of the collection which left me dubbed with the nickname ‘Mistress of Melancholy’ (I really LOVE that description! I’m very proud of it! 😁), then you can find it on your preferred store here. If you’re quick, it might even be priced at 0.99. Or if you’d like to delve a little deeper into my collection, you can read a couple of the stories from it here.

If you’d like to see which short stories – and other stuff – that I’ve been posting on Instagram, you can find me here.

Happy reading!

Filed Under: My writing, Reading Tagged With: crime fiction, short stories, short story, short story collection, the reason for everything, writing short stories

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