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CLAIRE LADDS

Author of character-driven psychological literary fiction and other darker books, all with an emotional pull

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Claire Ladds Readers’ Club News: August 2025

30th August 2025 by claireladds Leave a Comment

Image shows black strip on brown background and stack of books. Text says Claire Ladds Readers' Club news.

Welcome to my August writing update. It feels like an awfully long time since I gave you an update on my work, and I can only think that this is because I’ve been so focused on my writing that time feels like it’s gone a bit awry. There are three major project areas that I’ve been working on this month, each one very different, and each for a very different purpose. So what have I been doing?

Loving every moment spent with my work-in-progress

I mentioned in a previous month’s update that I am privileged to have been accepted by Faber Academy onto the Writing a Novel (online) course. This is genuinely one of the most fulfilling ventures that I’ve ever participated in as a writer. Not only am I working on a brand-new literary fiction novel, but I am part of a community of author peers who are wonderful writers. Everyone is very generous with their time and feedback which is of invaluable use as I find my way through the themes and the character arcs in my work-in-progress.

Anyone who has followed my work for a while will know that I tend to start at the end of a project, knowing where my characters are going and then figuring out how to get them there. This project is no different. I have been working hard on the last quarter of the novel (this may seem like a bizarre way of working to some, but it seems to work for me). Additionally, I also have the majority of the first quarter organised and written, and also all of those chapters I tend to call my ‘marker’ chapters, which are the main event or twist points in the story. I absolutely adore this book, and I’m excited to sit down and work on it every single writing session. For me, the best part of being an author is creating and working with an idea that I love, and I really hope that, when this book is finally published, it will find those readers who connect with it and love it as much as I do.

Other project: different lengths, for different places, and for different reasons

Although I’m working on a new novel, I have also been working on a number of shorter projects, namely short stories, and also flash fiction, the latter of which is a relatively new fiction adventure for me. These stories are all highly emotive in nature and I have submitted several pieces for consideration in various magazines and competitions. When I first began my writing career almost 20 years ago, this was where I began. It feels very exciting to be spending time in this arena once again. I have always had an enduring love for short stories and now have a huge appreciation for flash fiction and the writers of it. To be able to fulfil all the requirements of this specific kind of story arc within an exceptionally tight space of 1000 words or under, and sometimes much, much less than that, requires very special skills. I look forward to developing mine further.

I find short fiction extremely satisfying to work on. I love working with story prompts, which is how the stories I wrote for and contributed towards the charity Bolts of Fiction anthology, produced by the amazingly talented Daniel Willcocks and Sam Frost, came about. I’m also a big advocate for using visual prompts, and have used a myriad of photos and paintings previously, as well as songs, as inspiration for stories. If you write stories and I’ve never tried this as a way of sparking ideas for your work, I thoroughly recommend it.

Coming soon: a new gift for my Readers’ Club VIPs

As you will be aware if you’re reading this post, elements of my Readers’ Club news and stories are now available here on my website for anyone to read. There is, also, an extra part to my Readers’ Club, a VIP section made up of readers of my books and stories. That has always been a way to sign up to this VIP section until quite recently, when I put it on pause. The reason for this is twofold: firstly, it was sparked by my return to psychological literary fiction. To my mind, those interested enough to sign up for extra communications should therefore be receiving a welcome gift in line with the kind of fiction I will be writing and talking about, going forward. This brings me to the second reason: I am in the process of creating a new signup offering which consists of psychological literary short stories, and am hoping to have this ready sometime during the autumn.

If you’re interested in signing up for my VIP section of the Readers’ Club and also receiving this welcome gift, then keep an eye on my future monthly updates and on my blog where I will share more news when it becomes available. I will also share this on social media, if you happen to follow me there.

So, really, I feel a bit like I’ve spent time as a hibernating hedgehog during this month, but as I’m really not keen on hot summer weather, hibernating with all my writing ideas has been the best fun I could have in August! It’s been a very productive month and I’m really hoping September is as enjoyable. There will be more news next month. In the meantime, if you’d like to try my more emotive and literary fiction (which can, and does, sometimes go to dark places), you could try my short story collection, The Reason for Everything, or my novel, The Secrets that Haunt Us. If you’d like to keep up with me and my writing on Instagram, or other social media, you’ll find me at @claireladdsauthor.

Filed Under: All News, Readers Club Tagged With: author news, Claire Ladds Author, literary fiction, psychological literary fiction, Readers Club

Claire Ladds Readers’ Club News: July 2025

27th July 2025 by claireladds Leave a Comment

Image shows black strip on brown background and stack of books. Text says Claire Ladds Readers' Club news.

Hello, and welcome to this month’s news from my writing desk. And, I am rather stunned to say, it genuinely is from my writing desk!

If you have followed me on social media, or read previous blog posts I have written, you may have the distinct impression that I have somewhat of a loathing for my desk. You would, given everything that I’ve said about it previously, have drawn an accurate assumption that I can’t stand it. I’ve had this desk for around two decades now, and I have spent the bulk of that time avoiding sitting at it for any extended period (apart from November 2014, when I decided to challenge myself to write 50,000 words of three different novels. Short version: 115,000/150,000 words were completed, and I didn’t write a thing during December; one of the novels eventually became The Secrets That Haunt Us, several years later. The other two continue to languish in a ‘Book drafts’ folder on my computer).

Back to the desk situation: I took it upon myself to make what may turn out to be a monumentally brilliant decision (I don’t have many of those, so bear with me). I decided to tell myself that I want to write at the desk, and that anywhere else just won’t be as good, as useful, as practical, as… I’m sure I’ll keep adding to the list as time goes on. So far, it’s working, with the odd exception of the times, usually later in the afternoon, when I find myself gripping at my knees in some kind of mental rebellion. That, I’ve realised, is my indicator to tell myself, ‘You are now genuinely sick of looking at this room. Get out of here. Now. Before this brilliant decision you’ve made falls apart like one of your homemade biscuits.’ I don’t make great biscuits. At that point, I handwrite in an armchair with the TV on and calm myself down with a cup of tea. Or three.

This ludicrous but apparently workable process has enabled me to produce an almost complete structure to my new work-in-progress, and 10,000 words of the actual book, along with an array of scenes and character studies that may work themselves into the novel where appropriate. So far, so good. I’ve also completely fallen in love with my main characters and walk around, thinking what they might do, say or ponder in various given situations. I even drew up a shopping list for one of them the other day (it seemed to primarily consist of pizza, cereal bars, tea bags and a collection of cocktails in cans. Not the world’s most arduously constructed shopping list, to be fair).

This month has also kept me extremely busy with Faber Academy’s Writing a Novel (Online) course. I am utterly thrilled and delighted that I chose to apply for a highly competitive place on this course. I won’t go into details of the course itself, as that’s Faber’s and not mine. What I will say is that being on this course has reignited a blazing fire inside me for fiction that I had feared was in potential peril of snuffing itself out due to the current exhausting content of my day-to-day life. It’s fabulous being able to connect with, and support, other writers who are all working with the same end goal as me, dealing with similar emotions about their work, having moments of despair and epiphany about their writing. All of this also includes our wonderful tutor for the course, also an extremely experienced writer and teacher who is immensely helpful and astute with comments about our writing and our novels in general. The feeling of being in this together makes the process less isolating than it can be, sometimes. Writing is, by its very nature, creation performed in isolation (as a rule): just the writer and the keyboard or pen and paper, and the ideas percolating inside their brain.

Books on sale or half price – but be quick!

Until the end of July, you’ll find ALL of my e-books on sale for half price on the Smashwords store. If you get your books from Smashwords, definitely hop on over to grab any of mine – and of other authors – that you’ve been meaning to get, while they’re 50% off the usual price. You’ll find the promo here: https://www.smashwords.com/shelves/promos/

If you buy your e-books on Kobo, you can grab a copy of my psychological suspense with a gothic-inspired undertone, No Deadlier Time, for a reduced price. This offer applies to the UK and Australia and New Zealand. Again, be quick – this sale ends on 31st July.

For short story lovers: A short story to read

As well as my new novel-in-progress, I’ve written several short stories over the last few weeks, which are all destined for various places, be that collections of mine, submissions to publications, or as part of my work-in-progress. For various reasons, I can’t share these with you, however…

In case you missed it on my blog, I have recently added a short story for you to read. This first appeared in That’s Life: Fast Fiction magazine in Australia a number of years ago, and is also included in my short story collection, The Reason for Everything. The initial spark for this piece of fiction was prompted by a memory I have of being very tiny, a toddler possibly, and locking my mum out of the house by somehow sliding across a heavy bolt that went across the bottom of our door (I don’t believe that bolt remained in that position for long afterwards!). I have a snapshot, but vivid, recollection, of Mum climbing back in through the kitchen window which, luckily, she had open, since she was using the twin-tub washing machine on a hot day.

If you’d like to read the story, you’ll find it here: https://claireladds.com/2025/06/29/short-story-instinct/

Until next time, happy reading!

***

Which of my books have you read? Here’s a list:

The Reason for Everything and other short stories

The Secrets That Haunt Us

Hers or Mine

You Know You Shouldn’t

Darker Minds:

Show Me Dead

That Killer Image

No Deadlier Time

Darker Minds 3-book digital bundle

Filed Under: All News, Readers Club Tagged With: author news, Claire Ladds Author, literary fiction, psychological fiction, Readers Club, short story, work in progress

Claire Ladds Readers’ Club News: June 2025

22nd June 2025 by claireladds Leave a Comment

Image shows black strip on brown background and stack of books. Text says Claire Ladds Readers' Club news.

Welcome to the very first Readers’ Club monthly update post, here on my website. After lots of careful deliberation, I’ve decided to make my news, writing updates, information on special offers and new releases, as well as all my other bookish conversation, available and accessible to everyone with no need to sign up and read.

So, what news do I have for you this month?

Writing updates

You may, or may not, know that I have chosen to make a permanent return to writing literary fiction, and in particular psychological fiction, in which the characters’ thoughts are front and centre in the story.

After spending some time in the (sometimes rather strange) recesses of my brain, thinking hard about my next big project, I’m now currently in the full throes of planning a new literary fiction novel. The ideas for this book have been lurking in my head in disparate pieces for years, and finally they are melding into a story I am extremely excited to write. When I wake in the morning and my first thought is of the characters in the story, then I know I’m working on the right project!

Moreover, I’m thoroughly delighted to announce that I am going to be writing this book during my time as a tutee on the Faber Academy ‘Writing a Novel (online)’ course. This is Faber’s flagship course and I’ve been assured that places on this course are highly contested, so I’m extremely honoured to have been offered a place. It’s going to be thrilling to be writing under the advice and guidance of extremely experienced writers and tutors, editors and agents.

I begin this exciting new adventure tomorrow and I cannot wait to see how my ideas progress and how the book grows during this time, under such experienced guidance. I am also very much looking forward to spending online time with other writers on this course. I went through the course schedule yesterday and, as I got to the end of reading, my heart started to sink. If anything tells me that this is the path I should be taking right now, then that moment is it. I already get the feeling that the seven months I spend on this thrilling new pursuit will feel like it is gone in a flash.

Book news

Image shows book cover of Beneath the Flesh by Claire Ladds (forthcoming book). A moon shines down on a row of houses. Bats fly in the sky. There is a light on in an upstairs window. Text also states: a darker minds crime and suspense novella.

If you’ve read any of my Darker Minds series, you may be pleased to hear that I have plans to release another book in this collection. I am making intense edits and revisions to Beneath the Flesh, my former welcome gift from a time when it was necessary to sign up to access everything ‘Readers’ Club’. If you have read the original novella, you will find this new version similar in places and somewhat different elsewhere. I’m hoping to release this book towards the latter stages of the year, if everything goes to plan. I’ll keep you updated on the progress of this forthcoming release.

Offers for Kobo VIPs

This is a heads up for you if you are a VIP member of Kobo. I have a 40% off offer coming up on some of my books between 23rd and 27th of this month: my Darker Minds digital boxset, my psychological suspense novel, You Know You Shouldn’t, and my collection of short stories, The Reason for Everything. Keep a lookout on your emails from Kobo if you are a Kobo VIP member.

That’s all my news for June. I’ll be back with more Readers’ Club news next month, when I hope to have an update on the return of my paperbacks, as well as a huge Smashwords offer. In the meantime, feel free to have a wander about this section of the website. You’ll find all my previous blog posts here, and more Readers’ Club ones are on their way.

Until next time, happy reading!

Filed Under: Readers Club Tagged With: author news, Claire Ladds Books, literary fiction, psychological fiction, Readers Club

My 2025 Writing and Business Goals

1st January 2025 by claireladds Leave a Comment

Happy New Year! As the wheel turns and we encounter, once more, twelve months of potential and possibilities ahead (I’m going for the ‘positive vibe’ – can you tell?!), today I am going to dig down into what I want to achieve in my writing and my business during 2025.

As I mentioned in yesterday’s post, my devotion to the writing I adore, and to the publication of my work, has been nowhere near as good as I’ve wanted it to be. I miss it; I miss writing in the way I used to, and I feel that I’ve let myself down during 2024 by my lack of productivity and, more fundamentally, in my lack of creativity. I can be very hard on myself, and I’m going to be here, for without this honesty with myself, I won’t move forward. It’s not fulfilling me to write so little and to worry endlessly about whether I’m writing the ‘right thing’, neither am I satisfied that there are many publishing options and ways of serving my readers that I haven’t explored yet. Okay, this doesn’t feel much like positivity, but bear with me.

My intention, then, is to remedy this feeling of discontentment in 2025. But how do I do that? As much as I can weave spells in words to create emotions in my readers, a magic wand is something with which I am not proficient in real life! I think, first and foremost, I have to stop allowing other people’s views over what I ‘should’ do becoming in turn my worries over whether I am doing the ‘right thing’. I have a huge tendency to overthink my choices, which can inhibit, and sometimes thwart altogether, my productivity. Received wisdom in the indie author community has, for a long time, been to stay in your lane when it comes to genre choice. And it makes sense – being known for a particular kind of book helps with ongoing sales. But, for me, it can feel confining because my brain has become a gigantic vessel for all kinds of stories – and I want to write them! I also know that I write best when I am creating dark stories. This could mean that I sidestep into an array of sub-genres in, or even genres tangential to, crime fiction sometimes, and I will welcome it, if it stops the story eating me up from the inside, out.

I have always known that I am a writer first and a publisher second; the work itself is the most important thing to me, and would remain so even if no one but my mum ever read my work, ever again. I want to tell my stories, my way. And this is what I’m going to do. As I said in yesterday’s review post, I write the books I want to read, so I really am my own ideal reader. Throughout my writing career, which spans almost 20 years, I’ve only ever published, or submitted, work that I am proud of. As long as I continue to do that, then I’m achieving everything I’ve ever wanted: to be a writer, even when people have doubted me, or told me to stop wasting my time. It’s been the writing process itself which has been my therapy and solace during some of the darkest times in my life, and I have no idea who I’d be without stories as an intrinsic part of my life.

With that said, I want to be a much better publisher of my own work, too! I have several goals I want to achieve this year, in both writing and publishing.

Writing

  1. Complete the short story collection, Petal by Petal: Stories of Love, Obsession and Murder. It will, to a degree, be a book of my heart, as it fits in my ‘Hearts & Crimes’ collection of more literary, emotion-bound stories of crime and unease.
  2. Complete a standalone psychological suspense/thriller. I already know exactly which book this will be, and have begun some tentative planning, which I need to hone in on and clarify before I can start writing.
  3. Complete the sequel to You Know You Shouldn’t (because, yes, there’s going to be one!). It took me what feels like an eternity to decide whether there would be another book. I couldn’t decide because I didn’t know how You Know You Shouldn’t would end (a rarity for me to not be aware of the ending before writing), or whether the story of the main protagonist would continue. It held up the project immensely – but no longer. The issue now is in deciding how many books there should be!
  4. Complete another book that I’ve already started. I don’t want to say too much about it yet because I’m not sure when I’ll release it, whether it will be a novella, or in what kind of format it will eventually find itself. What I can say is that, as I mentioned yesterday, it’s very Hitchcock-esque and would actually fit Petal by Petal beautifully – so it may weave its way into the collection!
  5. Plan the details of a mystery-thriller series that I want to write. I already have an over-arching idea for all the books and now the series needs fleshing out, and I want to connect at a deeper level with the characters. I will not be writing this series for publication this year, though.
  6. Explore the possibilities of a side-step into something psychological/possibly Gothic with paranormal elements of this ilk, as an additional line of writing – but definitely not instead of my suspense and psychological fiction. This is something that has been interesting me increasingly over the course of last year, from both an academic and writerly perspective. As yet, I have no idea whether I will write in this arena or not.
  7. Plan and begin writing another standalone book in my Hearts & Crimes series. I have two novels that I want to include in this series, and I’ve been experimenting with them since 2014 (yes, for ten years!), so I’d really like to complete them. They have become, just like The Secrets That Haunt Us, very close to my heart.

Publishing

  1. Publish Petal by Petal in e-book, paperback and hardback formats. As this book is already available to pre-order, it’s probably a good job that it’s my first major publishing goal of the year!
  2. Be a better publisher of my paperbacks! I intend to make all my paperbacks available in many more stores than Amazon only. This will mean that you’ll be able to request them from libraries where you live.
  3. Publish the paperback and hardback of You Know You Shouldn’t, and also the sequel (working title: Eva Book 2!) in e-book, paperback and hardback formats.
  4. Publish the standalone psychological thriller that I intend to write this year, in e-book, paperback and hardback.

A final word …

Writing is my obsession; books are my big passion; certain stories and characters are ingrained in my soul. I want to express this in 2025 by showing it, not just talking about it. As I said at the beginning, we all have twelve months of potential and possibilities ahead of us. I intend to make mine count for me. And my enduring hope is that you will come to love my writing and the stories that I weave as much as I do.

Have a wonderful 2025, whatever you choose to do with it. And happy reading!

~ Claire ~


Which of my psychological suspense/thriller books have you read? You’ll find them all, and more, here.

Claire Ladds psychological suspense thriller books.

Filed Under: All News, Articles, News Tagged With: Claire Ladds Books, psychological thriller, Readers Club, suspense fiction, writing goals

Review of my Writing and Business Goals 2024

31st December 2024 by claireladds Leave a Comment

I hope you’ve had a lovely Christmastime. As we reach the very end of the year and brace ourselves to head into the next, it’s time for me to reflect on my writing, my author business, and also my overall happiness with the way I have been working in 2024. It’s been a strange couple of years; I didn’t manage to write a review of my 2023 goals, nor did I set any heavy targets for 2024. Both of these meant I didn’t make myself accountable here, on my blog. There was a massive reason for this: during the end of 2022 and the bulk of 2023, I was suffering personally from illness, which very much scuppered any plans I had for that year, with the exception of releasing my psychological suspense thriller, Hers or Mine. My recovery was slow, but nevertheless steady, and I wanted no setbacks. This meant that, for 2024, I kept my aims private, and decided that my main goal was to write. Anything. As long as my work progressed in some way, then I would be relatively happy. But I did not want to put any kind of pressure on myself beyond ensuring I continued to recover, and certainly didn’t expect to publish anything.

I did write. I started several projects and, in particular, I progressed pretty well with a noir novella which may turn into a novel; I’m not sure yet. I was aiming for a Hitchcock-esque/Patricia Highsmith claustrophobic vibe because I find that particularly exciting. I also wanted to integrate something experimentally a little bit spicier than my dark suspense books, but nevertheless with my usual darkness of character and twists and turns. This has all led to an extra layer of tension that I’ve been thoroughly enjoying writing, and it has prompted plans for a themed series of standalones in the same vein.

I wrote a tentative plan for a Gothic mystery-thriller series, which has started developing into what I’m going to currently call ‘Gothic with grief and guts’. I have so many ideas for books which have never figured out their place in my writing, but each of them will fit beautifully here. What happened then was a proliferation of ideas – and all for two other series which have been lurking in my head for quite some time. They’re biding their time, and deciding whether or not they will wrangle themselves to fit my current genres of work, or whether they will be something a little…different.

Over the course of the year, I also went right back to my writing roots and started various pieces of short fiction, completing several of them. I was thrilled to find that three of my dark short stories gained places in the Bolts of Fiction charity anthology, published by the very lovely horror author, Daniel Willcocks, of Devils Rock Publishing.

But I wasn’t completely happy. I wasn’t publishing anything myself. I hadn’t, as I mentioned, made firm plans to even try to do so. And, despite being acutely aware that I ought not to push myself too hard, too fast, I couldn’t continue in this vein; it was enough to drive me crazy. I’m a writer, yes, but I’m also a publisher, and I was letting myself down.

So, In early summer, I got back to writing the first draft of You Know You Shouldn’t, the psychological thriller which had been giving me immense trouble the year previously because I hadn’t been quite sure exactly what to do with the narrative, and whether to continue the story of Eva Sewell, my main character, beyond this book. However, I decided that, no matter what, and regardless of whether I’d solved the standalone versus series issue, that You Know You Shouldn’t was coming out by Christmas. So I set a release date for the e-book of Christmas Day, however crazy that sounds. Guess what? The book came out on 25th December, as planned, which made for a great Christmas! I had written, and I had published. AND I’ve solved the narrative issue – there will definitely be more Eva novels to come. Her story is not yet over…

At a similar time that I re-started work on this book, I was also asked to speak on a panel at the Crime Book Festival in Boston, Lincolnshire, here in the UK. I thoroughly enjoyed talking about my writing, and offering advice to audience members who wanted to publish their work. The day ended on a high, as I had the privilege of talking at length with members of the audience and signing copies of my books. It was such a lovely experience, that I also agreed to become an attending author at their main book festival in September. Building up in-person connections over the course of the year has also meant that I have increased sales in signed, personalised copies of my paperbacks, which is something I intend to explore more in the coming months.

But, as I am wont to do, all too often, I have spent portions of the year second-guessing whether I am writing the ‘right thing’, both in terms of what makes me happy and in a business sense, together with agonising over the dilemma of whether my e-books should be available everywhere, or exclusive to Kindle Unlimited. There are pros and cons to both, depending on the genre, the author, as well as business style and objectives. After beating myself up about this for far too long, and making an attempt to remove my e-books from all the stores except Amazon in order to experiment with Kindle Unlimited after a number of years away, I found that I could not be absolutely certain that my books were not still lurking on some stores. I did not want to fall foul of Amazon’s exclusivity terms and conditions, and simultaneously I had a nagging feeling deep inside that, for me, this would actually be the wrong move. So, for all the books I ever write under the ‘Claire Ladds’ brand, I have decided that making my books available in as many places as possible is what I’m doing.

Am I worrying over whether I’m writing what makes me happy? Yes. Am I worrying that I should be writing books that are more in-line with the mainstream, or a long-running series? Yes. Or… oh, pick a thing and I’m probably worrying about it! These questions are a perennial concern for me. What I do know is that, if I’m writing a story that keeps me thinking about it all day, and dreaming about it at night, if it thrills me to plan it, and I have a real connection with my characters, then I’m writing the story I should be writing. I write what I want to read, first and foremost. And then I always hope that there are readers who want to read the same books as me. I’m not the kind of writer who can jump onto current trends, I know that about myself. I, finally, am at peace with the fact that I can only write the books that interest me. Without that, there is no authenticity in my writing and, in turn, no joy. This was something I was troubled by so much when I was in my heyday of writing short fiction for certain types of publications that I actually stopped writing fiction altogether for a while. I never want that to happen again. What I have noticed within myself over the course of this year, and something that has surprised me somewhat, is that I now feel ready to write the story of a character which spans a series of books, a task that I have resisted vehemently for years because I convinced myself that I was unable to do it.

So, what have I managed to achieve in 2024? Well, a bit more than I expected, to be honest:

~ I published my psychological thriller, You Know You Shouldn’t

~ I attended two authors events and met some of my readers

~ I wrote other work that will form the basis of a future publication, and short stories which were published (and for a good cause, which was a bonus)

~ I found new readers who became part of my community in my Readers’ Club, and people who are interested in my work via TikTok, which has resulted in an uptick of sales

~ I made direct, in-person sales bases on word of mouth and personal connection

~ In conjunction with my Readers’ Club, and with a great deal of soul-searching, I developed more clarity over where I want my writing to go, what makes me happy, and what I’d like to write and publish in future months and years.

For an author who set no solid goals for this year in order to ensure I stayed well, I don’t think that’s bad going. But spending some time sitting back and thinking about what I really enjoy, what I want to focus on, and what will also make decent business sense, now means that I have plenty of ideas for how I would like next year’s projects to go. I don’t plan on sitting back and letting the world go by, because that really isn’t like me at all. Writing is my life, and I intend to live it, even if it is only vicariously through my characters (and, considering what some of them get up to, then ‘vicariously’ is probably not a bad thing!).

I’ll be back tomorrow, when I will discuss my writing and business goals for the coming year, together with more details of what this ‘soul-searching’ of mine has revealed, in relation to what you can expect of me in 2025.

See you next year!


You Know You Shouldn’t is available right now from many e-book stores, as well as from libraries (just request the book). Click the button or the image below to discover more and buy this psychological thriller (with a hint of spice).

BUY YOU KNOW YOU SHOULDN’T

Filed Under: All News, Articles, News Tagged With: Claire Ladds Books, psychological thriller, Readers Club, short story

Beneath the Flesh: Read an Extract (Do You Love Prologues?, Part 5)

4th March 2023 by claireladds Leave a Comment

Welcome to the fifth and final part of my mini-series, touting my love for writing prologues!

Today’s extract is quite a long one, as the prologue itself is split between the viewpoints of two main characters, from opposing backgrounds and with vastly different character traits. Prologues can, most definitely, be used to emphasise what the characters are like. I don’t think it’s easy (or necessarily helpful to the book) to use a prologue only for this purpose because the whole book itself, chapter by chapter, should be doing this anyway. But what the prologue can do is show how a character behaves and set up the reader’s expectation for the ways they might react when problems begin to be thrown at them – or, in my book’s case, probably murder…

The extract I have for you today is from Beneath the Flesh. As you’ve probably gathered, the prologue gives the reader a massive insight into the main characters of the book. It also sets up an incident (often called the inciting incident) which directly leads to everything that happens in the main story. Without it, the rest of the action, suspicions and skulduggery would have nothing to hang on. Look at this prologue at a very wordy coat hanger, if you want!

There you have it – the final part of my mini-series showing you how much I love prologues and how I use them. I hope you’ve enjoyed reading the extracts. If you want to read more of my work, you’ll find details of all my books on this website and also on many e-book stores.

Please note that, as my extracts are crime-related books or dark fiction of some kind, they are suitable for an adult readership. Please read responsibly.

Happy reading!

Claire

P.S. The one obvious profanity is replaced with **** for the purposes of this extract.

~~~

Beneath the Flesh

TWO MONTHS AGO

The voices were muffled, hidden almost entirely away behind the thick wooden door. Except for that gap where the light seeped onto the landing.

Ella got closer, placing one foot at a time gingerly on the thin strip of well-vacuumed carpet that ran all the way down the centre of the floor. With immense care, she balanced herself against the door frame. That floorboard directly outside the bedroom doorway would be heartless in betraying her presence. Mr Cavannagh had told her he was convinced that his wife had loosened it on purpose, as her own personal warning system. Or just as a convenient excuse to be able to inflict punishment. She imagined the one-sided conversation: Well, Ella. Listening at doors. Sneaking about. That doesn’t happen at Sunny Cottage. And we know what happens if you do something that’s against my rules, don’t we? Ella agreed with Mr Cavannagh; she wished that he dared fix it.

She shook away the imagined voice and concentrated.

There was a crack of about an inch where the door hadn’t closed. Ella’s fingers gripped the dark green paintwork on the door frame. There was nothing to see, except Mr Cavannagh’s window and a wardrobe. She angled her ear to the gap. What was the argument about this time?

The male voice was subdued, struggling to give itself any proper air of authority.

‘It’s not right. Any of this. I’m tired, Miriam. I’m sick of the way I’m forced to do everything you say. Of being controlled. It’s not right.’

‘And just what exactly isn’t right?’

Ella recognised the drop in tone of her landlady’s voice. Her stomach felt like someone had begun to grind it with a cheese grater. Something was brewing, and there were going to be consequences. There always were.

Her finger ends were freezing. It was the lack of fires, and the way the cold shot through the crack in the corner of the window. Bits of snow were whipping through and landing on her back. She tried not to let the shivering that reverberated through her nightie make her arms quiver so much that her hand slipped off the frame. If it happened, then her fingers would squeak down the polished paintwork. Someone – she, Miriam – would come and investigate the sound. Then it would be worse. Everything would be worse.

The voices carried on, Mr Cavannagh trying to fend off his wife’s nasty, cruel sniping, but with little success. She wished Miriam would stop. That she would just go away. Vanish. Poor Mr Cavannagh. Ella still struggled to call him Jim, even though he’d told her to from that very first day. He’d always been lovely to her. He was a kind, gentle man. He didn’t deserve the evil that was spewing at him inside that bedroom. Her body grew hotter as the sadness and anger inside her whirred with nowhere to go.

Her thoughts were cut off as she caught more words from the other side of the door.

‘Sick of being beholden to your meal times. Bedtimes. Sick of being treated like an idiot who’s incapable of doing anything without you laying into me about it or making me out to be an imbecile in front of the lodgers.’

‘Lodger. There’s only one. And we know how much you like her, don’t we, husband of mine?’

There was a pause. The wind sighed through the crack and brought more snow in with it. The flakes landed, falling as flat as Mr Cavannagh’s words.

‘You can’t treat the girl the way you do, Miriam. It’s not right.’

Prickles rose, creeping through Ella’s back and wrapping around her neck like a too-tight scarf as a thud shook the floorboards. A chair being knocked over? Ella wasn’t sure. The female voice lost its low tone and now shifted into a serpentine hiss.

‘I can do whatever I like. This is my house and don’t you forget that. You live here because I let you.’

‘And I thought it was because you loved me.’

There was a laugh, a deadened, defeating stamp on the words that should have meant something but no longer did. Maybe they never had.

Ella clung harder to the door frame, palms sweating. She fought with herself to stand still, but the polish was making it difficult. She had to shift her feet. They were slipping on the carpet, that loose floorboard now threatening to betray her existence right outside the room. She breathed in; she wasn’t sure if she breathed out.

Her hands were fighting a losing battle with the sweat- polish combination. She clung to the green paint. A lump formed in her throat as one slimy palm began to slip down the paintwork and she had to reposition herself. Her heart was banging so hard in her ribs she expected it to snap her bones.

She pressed her fingertips against the frame so hard that they grew translucent. Goosebumps spiked in a line, up Ella’s calves and mirrored in her forearms, leaving her fingers tingling. If Miriam caught her out here now…

Her concentration slipped. So did her left hand. A wave of sickness crashed into her throat as she snatched her hand back. Too late, though. The door moved. A boulder of complete terror lodged in Ella’s throat. She waited for the wood to swing on its hinges and bang against the bedroom wall. Then Miriam would fly to the door and… she didn’t want to imagine what happened next. Ella shut her eyes, praying to anything that was listening for nothing to happen.

Weirdly, it didn’t. Ella squinted one eye open, then the other, to find the door open maybe another couple of inches further. No more than that, certainly. But she could see half of the room now.

Miriam was standing with her back towards the door. If Ella had thought she could get away with breathing a sigh of relief, she would have. But she still wasn’t sure she was breathing at all. Mr Cavannagh was nowhere she could see, except for half a bare foot, which was shunting up and down at a violent speed. She’d seen that motion many times before, but usually it was wearing a shoe or a slipper, as it fought off the spiteful sniping of his wife. Where were his slippers? Maybe Mad Miriam had confiscated them.

Ella dithered, toyed with the idea of moving. Leaving the door. Creeping back to bed and not coming out of her room any more that night, or any other night. But something stopped her doing it. It always did. Some tiny, inner rebel that had been buried for years. It came out when she knew she didn’t have to face a conscious Miriam, usually, only a zombified one. She cursed inwardly that this tiny rebel creature that lived inside her refused to take her to safety while Miriam was on the rampage the other side of the door, and instead left her rooted to the spot.

Mr Cavannagh’s voice came from somewhere behind the door, as the bed creaked, and the foot moved out of sight.

‘I can’t…’

Ella winced as he was interrupted by the biting words of his wife.

‘Can’t what, you sad little man?’

‘I can’t let you treat the girl like you do. You know she’s got nowhere else to go.’

Ella’s eyes stung. Miriam didn’t let up.

‘Then she should work harder in the shop, shouldn’t she? Like you do, darling husband.’

‘I’m going to help her find somewhere. A place she can afford. Away from you. There must be somewhere.’

Ella’s chest banged. Mr Cavannagh’s intentions were well meant, but his attempt would come to nothing. She knew that. She buried the knowledge that, if it did, she would be leaving him behind to the tirade of verbal abuse that began again now.

‘And what are you going to do? Declare your repulsive, endless love for her and tell her you’ll look after her until your dying day? Well, that’s coming sooner than you’d like to think, you lecherous old man. Are you going to hole her up in some filthy little flat and tell her that bad Miriam won’t hurt her anymore? You’re pathetic. Pathetic and incapable – in every way.’

If Ella had the courage, she’d have confronted that woman, grabbed her by her hair and smashed her face into the wall.

‘She’s just a kid. Leave her alone.’
Ella detected elements of defiance in Mr Cavannagh’s tone. Anger, even. But not enough. Her heart sank, as if in quicksand. There was never enough. Poor Mr Cavannagh.

‘She’s not a child. She’s twenty-three. Seven years of being here and you know she’s no child, don’t you?’ Insinuation dripped from Miriam’s words. Ella fumed inside. What she was suggesting wasn’t even close to being true. Miriam continued, jibing at her husband. ‘You know. She’s old enough to rent my room with her wages, except she doesn’t, does she? She lives here rent-free because of you. And to expect me to cook her evening meal. And so she can expect to abide by my rules, like other tenants before her.’

‘And look what happened to them. What you did to them.’ There was an audible sigh. ‘You take all her wages off her anyway. What’s she supposed to pay with? Fresh air? It’s bad enough that you’ve stuck her in that bloody shop of yours. Seven years. Ella, you poor kid.’

The floorboards inside the room creaked. Ella’s legs stiffened. They were like ice inside, sweat breaking out on her skin and feeling like it was turning to ice, too. She fought an almost uncontrollable shiver.

Miriam’s voice sank low again. Her words drawled. Ella could picture Mr Cavannagh’s face, red and blotchy, waiting for the backlash. It came.

‘And now, before I go and make my cocoa and take it to my bed, I think you need reminding that you’ve been ungrateful, and that you’ve broken the house rules. Bed by ten applies to everyone. It’s half past. If you think I wouldn’t find this…’

There was a jingle. It sounded like a key. Couldn’t the poor man even smoke his pipe outside at night? Ella had seen him from the window. He’d looked up and smiled at her, then put one vertical finger to his lips as he’d wrapped one arm around the coat which covered his pyjamas. She would never have said anything. They had an understanding. And the snow would cover his footprints in seconds.

But nothing covered the fear in his voice.
‘I’m not going to let you. No, Miriam…’
There was a silence. Ella froze to the spot, her fingers gripping the door frame so hard that the tips were completely numb. She couldn’t see either of them now, and bile stung her throat.

‘I’m going to… There are people I can tell, you know. Or I could just… leave…’ Mr Cavannagh’s voice tailed away.

Ella flinched at the sound that followed. Like the noise she imagined might emanate from a squealing pig if you stuffed it in a duvet.

Silence flooded the air, hanging there, waiting. The wind snaked cold around her shoulders and snow flicked in and disappeared into the carpet.

Then, finally, there was just one word, uttered by the lady of the house.

‘Pathetic.’

Ella tried not to gulp air or gag on her own spit as she inched her feet backwards. As soon as she was on firm, silent carpet, she shot back along the landing. Her hands shook as she closed her bedroom door. This once, she was thankful for Miriam’s obsession with oiling hinges and polishing door catches.

Ella didn’t move. Not at all. She wasn’t sure how many minutes passed before the bedroom door opened, just enough to leave a silhouetted figure standing, hand on hip, fingers flexing on the door handle. Ella knew that was what she would see if she was stupid enough to open her eyes.

She kept them closed.

***

Miriam

A grunt fell from Miriam’s half-open mouth as consciousness began to infiltrate her. Her brain grew less fuzzy until she recognised there was silence, apart from the slow, constant dripping of a tap. It took a split second for that to irritate her.

She listened for the ringing. But there was none. That wasn’t right. That meant she wasn’t in control of the time she woke up and something else had done it when she hadn’t wanted it to. Her irritation bubbled away as she laid there. Why hadn’t the alarm clock done its job? It should have woken her at the exact time she set. What was the point in relying on anything to do a job properly?

Her feet hurt: two painful, freezing blocks on the end of her ankles. So cold she might have been outside in the ice house. Or what had once been the ice house. Dilapidated mess that Jim should have fixed but hadn’t. The bubbling annoyance switched to anger, forcing her to open her eyes.

No, she was sure she was inside. She was in bed because it wasn’t time to get up yet. Her side hurt. It was cold, too, and there was a dull pain throbbing through her ribs. Her tongue stuck to the back of her mouth as she tried to swallow and pull herself upright but failed. It wasn’t the bed that was underneath her. She felt around. Whatever was there was hard, solid. And her hand touched on something else, too. Thin, long. She flinched as it clattered towards her head and narrowly missed her.

She blinked a few times. Why was it so dark? And why was she so cold, and in pain? She grasped onto all her senses as realisation hit her with its mallet in her chest. It had happened again, hadn’t it?

In the bit of insipid, shadowy light that reflected off the snow outside, she recognised that the object which had nearly smacked her on the head was the handle of the mop. What the hell…?

Apart from that bit of snow-induced glimmer, there was still dark outside, as she finally let it dawn on her that the room that she was in was the kitchen. Or, more accurately, that she was spreadeagled on the step which dropped down from the kitchen into the old wash house. No wonder she was freezing. The floor was made of the original Georgian encaustic stone tiles.

Something was digging into her side; that was what was causing the pain. The edge of the step, presumably. Her palm jabbed around beneath her and touched something. It was cold, but not as much as the floor. And it had a rounded edge. Her hand grasped it and she pulled it out from under her.

She forced her body upright and flicked on a light. She stared at her hand, gripping the handle of the object tightly in her palm. Pointing away from her, about eight inches long, was a thick blade. It was caked in blood. Her head struggled to comprehend what her eyes were seeing. The blood had dried on the metal and caught the dim artificial light as brown streaks and globules made of purple rust.

Her eyes cast down at herself. At the blood. Was she bleeding? It was smeared all over one side of the pure white cotton. She lifted her nightie and ascertained that she wasn’t. Only – that pain in her side really hurt.

Her head began to spin. She let the knife clatter to the floor as she caught her reflection in the window, against the blackness outside. That, and the incessant mesh of snow that was falling. There was so much snow out there you could get lost in it and no one would know you were there. The weather forecaster had said that it was going to go on for weeks yet. In the window, it looked like it was trying to erase her, bombarding her with an endless stream of white, mocking the blood stain that had leeched into her nightie.

She snapped her gaze away and shuddered. The motion of it was making her feel quite sick. The light off would be better. She stood there, on the icy stone floor, in the dark once more. Her bones were aching from her feet upwards, but it made her brain refocus. She had to think: if she was here now, she must have been somewhere else before she ended up in the kitchen.

She rummaged in her memories, trying to find what she could of the previous night. That little cow had scuttled off to bed at the mention of half rations for breakfast if she even contemplated helping herself to any of the leftovers. Greedy little swine. Then there had been the row with Jim. Useless specimen. At least she didn’t have to justify him as a disappointment to the generations of her family who were buried in the graveyard. Why did he have to be so pathetic?

That word – ‘pathetic’ – triggered something. She’d hit Jim with – oh, who knows what it was this time? He was talking like he was going to leave. Leave, and take that sad, pretty, young little…

Her tongue didn’t seem to want to allow her to swallow. As silently as she always did when she was awake, she crept up the stairs and towards Jim’s bedroom. She paused by the door of that sneaky little creature. No movement from her. That was good.

Jim’s door was already ajar. She held in a sigh of relief. He must be dressed, then. That was something, at least. Anything was better than having to look at that revolting black toe nail on his right foot. She kept waiting for the big toe to drop off. If it did, it wouldn’t make him any more useless around the place than he already was.

Without bothering to knock, she walked in. The room was empty. His bed was empty. A snapshot pummelled her brain, all of it taking no more than a second – her arm swinging, Jim making some stupid sound. Then she’d left. She’d definitely left the room. And that little cow was asleep, she’d doubly checked that. And then she’d woken on the step between the kitchen and the wash house. Instinctively, she rubbed the spot where the pain was slicing into her.

So why was there blood all over Jim’s bed sheets?

She ripped them off. It had soaked through into the mattress. She just stared at the dirty patch that was turning brown and had seeped into the fibres of the fabric. A waxy sweat broke out of every pore on her body and she smelled strange. If she didn’t know better, she’d have thought she was going to be sick. But she was never sick. She never lost control of herself like that.

Miriam grabbed and tugged at the mattress, grunting as she twisted it up onto its side, then let it fall back into place on its reverse side. That was better. The mess was invisible now. Gone.

She swallowed hard. Picked up the bundle of sheets. Took them into her own room. Without a sound, without even a thought going through her head, she went through the motions of undressing, putting on day clothes, picking up the sheets once more, and silently padding on the carpet where she knew the floorboards didn’t creak, returning to the kitchen.

She put down the pile of bedding very carefully, right next to where the knife lay. She stood there, looking at it – she wasn’t sure how long for. A spurt of instinctive energy in her arm made it grab the knife and thrust it in among the pile of sheets. She took a few quick steps back and heaved a harsh sigh. That was better. She couldn’t see it anymore. If she just looked out the window, towards the snow, everything would be fine.

But the snow made her feel dizzy. She held her jaw firm and boiled the kettle. Made a coffee. Just as she was about to pick up the cup, her peripheral vision caught sight of the sheets, leaving her skin pricking all over. She rearranged the bedding, so all she could see were the parts that still looked like pure white cotton. She nodded and gave a little grunt as she considered it, aesthetically. Then she grabbed the bottle of Jim’s whiskey out of cupboard, sneered at it, and poured away half her coffee. When she next tasted her drink, there was more alcohol than caffeine. She shuddered as it hit the back of her mouth.

Miriam tried to hold her coffee without shaking the contents over the draining board. She argued with her conscience, sometimes silently, sometimes aloud, the gist of it being that it should get a grip on itself. It seemed to work, although every so often her entire body shook. She clutched the cup and swigged back the liquid.

‘Mrs Cavannagh?’

What the hell was that? Miriam spun round, the remaining contents of the cup spattering itself in an arc across her clean clothes.

‘**** hell.’ She glared at the pathetic creature who stood there in the doorway. Her chest hammered and her heart rate began on some kind of horrific ‘fast forward’ race to leave her breathless. She knew she had to recover herself. Behave normally. It should have been easy. For Miriam, this had always been easy before. Why the hell couldn’t she calm herself fast enough for the girl to be too dense to notice?

‘I’m sorry. I didn’t mean…’ The stupid creature was stuttering an apology now. It was sickening. Miriam glowered at her, hatred jabbing behind her eyes.

‘What are you doing up so early? Did you think you’d help yourself to extra food before I got down here, is that it? I told you yesterday…’

The sneaky little cat was withering. Simpering. It might work on Jim but it didn’t work on her.

‘No, not at all. I’m sorry. I just… I don’t know. I thought I heard a noise. I thought you were talking to…’

Miriam told her feet to move. She managed to drag them to a spot in front of the pile of sheets where that knife was balancing in the middle. She wanted to look round and check that the blood wasn’t seeping through her pristine cotton and displaying itself to the girl, but she needed to stay focused. Take control. The pain in her side hurt. She resisted holding onto it as she planted her solid five feet, three inches in front the girl.

The little cow was standing there. Just standing there. Why was she watching? Did the sneaky little creature stay awake and watch her walking around in the dead of night without any knowledge that she was doing it, or where she went? Or what she did? Could the girl tell her?

No, that was stupid, and Miriam was anything but that. She came from a family of intelligence, dignity. She must make sure that there was nothing to tell. That there was no way of telling anything. Is that what she’d done upstairs? She couldn’t remember. She didn’t remember getting the knife. She’d left Jim and gone to her own bed. Then she’d fallen asleep. And then… what? Why did this keep happening?

‘It’s not half past seven yet. If you continue to come downstairs before breakfast time, before I’m ready to serve, I might be forced to put a lock on your door at night. And take your light bulb away. How would it feel, being locked in, in the dark, and only I have the key to release you?’

That got rid of the girl. In her twenties and incapable of many things. She couldn’t stand up for herself. She did whatever she was told to avoid punishment.

Miriam shot a quick glance at the bedding. She grabbed the knife and thrust it into the sink. As she ran the tap, the thick, crusted dirty red began to fall away under the warm water, in clumps at first, then in an insipid pink stream, until only metal shone back at her. Now what?

The kitchen was old. Parts of it had stopped working over the years, much to her disgust, especially as there was no spare money to mend it. But for once she was thankful, as she opened the drawer which housed the cutlery. If she slid the knife through from this drawer to the next, it would drop – there, like that. Into the disused drawer. Miriam pulled at the handle. It was stuck. It had been stuck for well over a decade.

She couldn’t see the knife. No one could see it. It was gone. It didn’t exist. Now all she had to do was get something on those stains before she put the sheets in a boil wash. Then everything would be fine.

GET YOUR COPY

[post edit:] Beneath the Flesh is available as an e-book from 5th June 2026 from many e-book stores, through Bookshop.org and also through your library or library app.

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