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CLAIRE LADDS

Author of character-driven psychological literary fiction and other darker books, all with an emotional pull

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psychological literary fiction

Flash Fiction: A flaw in the hourglass

13th March 2026 by claireladds Leave a Comment

Image shows an hourglass in blue, surrounded by swirling mist, also in blue, with a dark background. Text reads: A flaw in the hourglass, flash fiction

Images used courtesy of BookBrush.com

It is only mid-March, and Friday 13th has already come around twice, with another one to come in November this year. So, today, I’ve taken it as my cue to share an eery piece of fiction with you, which I very much enjoyed writing. This piece of flash fiction was first published in the Bolts of Fiction anthology in 2024 (Devils Rock Publishing), edited by the wonderful Daniel Willcocks and Sam Frost.

I hope you’re not ready for sleep right now…


A flaw in the hourglass

Tired, are you? Restless? Wish you could sleep? Let me help you. Let me tell you a bedtime story.

***

You’ve heard of the Dream Catcher, haven’t you? I watch her, every night. She doesn’t know I’m there. I’ve become adept at hiding from her, and darkness holds no fear for me.

The moonlight betrays her prey. With snake-like ease, she empties the dream catcher that hangs outside, swaying in the gentle breeze. The silvery sack slips up and over it, catches it unawares as it tinkles and twinkles, glinting beautiful and benign. The dreams make no sound as they slide into the silken sack. Neither do the nightmares. Not yet. Not even when they’re separated into ‘good’ and ‘bad’. It’s an uncomfortable process. Don’t try it.

Now the once shiny dream catcher is left lifeless, like a dead thing; colourless, soulless, desperate for revival, hoping that people are asleep and that they can hear the wails of pain in the wind, seeping through their walls of safety as they dream. Make me live again, I beg you. But the pleas are worthless because its time is up. It will soon be dawn.

I follow the Dream Catcher to her lair. Here they all are, lined up, row after row after row: hourglasses full of nightmares. You’d think this room would be full by now, wouldn’t you? But it seems to have an everlasting floor, walls that span the centuries, the ether, space and time. Endless. This prison is endless.

I watch as the Dream Catcher pours her night’s takings into the newest hourglass. It takes a whole hour to empty them in. They fight, struggle, claw onto the silky, silvery sack. It happens every time. Would you want to fall into the top of this hourglass if you knew what your fate would be?

The nightmares scream as they slide through the hole, powerless to stop it. Monsters, stalkers, unseen and lurking fears
– each one knows its fate. The screams and the scratching on the glass have already started, the frantic scramble to the top by those who are trying to rebel against the certainty that, when it becomes their turn to fall forever into the glass pit, they will become nothing but tiny grains of sand.

And that’s what this room is full of – rows and rows of nullified nightmares as far as the eye can see, and where it can’t. Of dead, giant timers. Their time is running out. The pain of that knowledge screams through the hole in the top of each hourglass where, once the nightmare is inside, it cannot shrink its own terror to fit back through.

How long does it take for nightmares to turn to dream dust? Who knows? The weight of the unanswered question crushes the nightmares. And it bears down on me, too.

The Dream Catcher nods at her good night’s work and locks the room. I hear the deadbolts thud into place – one; two; three; four; five.

I stand there alone, my only company the screaming and the terror, the scratching of glass which makes my ears bleed. I look down the room at the rows of destroyed imagination. It’s one eternal nightmare.

But what if the sands of time can be reversed? Have you ever thought about that? Has my old adversary, the Dream Catcher? I know how to do it, you see, because I’ve been watching, learning, biding my time.

And so I tap on the glass of this newest timer which is already set in motion. I must give the nightmares hope. They stop screaming for a moment, and I tell them, ‘Watch.’ And I wink.

They become transfixed as I head to a soulless, still hourglass, full at the bottom with nothing but grains of the night’s evil. All I have to do is this. ‘Watch,’ I tell them. ‘Watch,’ I tell you. Are you keeping your eyes open? Is your imagination paying attention? Keep your eyes closely on the hourglass: the sands of time shift as I turn it upside down.

It’s so simple. All it needed was time. Someone would catch her out, eventually. Who’d have thought my old adversary would fail to catch the flaw in the design?

These newest nightmares pour out of their own private hell and onto the floor. The next bit is easy. They only need one of their own kind to give them life. So I blow. The sand swirls across the stone. I blow harder. It gathers momentum, feels the freedom, and fills the air. One more life-giving breath is all it needs. Can you see it? Picture it, circling, seeking its way out. One; two; three; four; five. Out the keyholes and into the night. And you thought keyholes were just for peeking through, didn’t you? Naughty.

Dream dust is precious, especially the darkest dream dust of all. Who deserves a sprinkling of nightmares? Who’s to judge? My learned friend – or fiend – the Sandman, of course. Have you been good recently? Any bad dreams lately? Did you never wonder how the Sandman has so much dream dust to sprinkle on his dreamers? Neither did I, once upon a time. Recycling is good for the environment, they tell us. The world of imagination is no exception. The Sandman recycles the nightmares. Who knows what they might become. That depends – depends on dreamers like you.

***

How do I know all this, you ask. Haven’t you guessed? I’m the nightmare that got away. One moment of carelessness in the pouring was all it took. So now I can tell bedtime stories to those who deserve them.

I’ll be in your dreams later tonight, when the darkness falls over your eyelids and your deepest imagination awakens. Won’t I? You know I will.

What’s that? What do you mean, you’re not ready for bedtime now? We’ll see. Everyone seeks the comfort of sleep – eventually.

Image shows a photo of Claire Ladds, author, and a bookl cover of the Bolts of Fiction flash fiction anthology. Text says: Featuring 'A flaw in the hourglass' by Claire Ladds.

Bolts of Fiction promotional image courtesy of Daniel Willcocks.


Have you read any of my other short fiction? I write emotion-driven psychological literary fiction, exploring the most secret, often painful and self-sacrificing moments of my characters’ existence. Sometimes they make an unnerving peace with their turmoil, and sometimes they find other ways to deal with their relentless agony – which just may lead to desperate measures…

Image shows short story collection, The Reason for Everything, in paperback, on a tablet and on a phone. the Books cover is black with read wooden hearts and red lilies.
FIND OUT MORE ABOUT THIS SHORT STORY COLLECTION

If you enjoy novels which are dark, as unpredictable as the nightmare in the hourglass here, or tinged with something other-worldly, then you may especially enjoy two of my Darker Minds books. Click the images to learn more:

Image shows a close-up clock face with a raven perched on the hand of the clock.
Image shows a spiky chair in a dungeon, with silhouettes of dancing marionettes above.

You may also like to read:

Short story: Instinct

Filed Under: Short Stories Tagged With: Claire Ladds Author, flash fiction, literary fiction, psychological literary fiction, short stories, short story

Claire Ladds Readers’ Club News: August 2025

30th August 2025 by claireladds Leave a Comment

Image shows black strip on brown background and stack of books. Text says Claire Ladds Readers' Club news.

Welcome to my August writing update. It feels like an awfully long time since I gave you an update on my work, and I can only think that this is because I’ve been so focused on my writing that time feels like it’s gone a bit awry. There are three major project areas that I’ve been working on this month, each one very different, and each for a very different purpose. So what have I been doing?

Loving every moment spent with my work-in-progress

I mentioned in a previous month’s update that I am privileged to have been accepted by Faber Academy onto the Writing a Novel (online) course. This is genuinely one of the most fulfilling ventures that I’ve ever participated in as a writer. Not only am I working on a brand-new literary fiction novel, but I am part of a community of author peers who are wonderful writers. Everyone is very generous with their time and feedback which is of invaluable use as I find my way through the themes and the character arcs in my work-in-progress.

Anyone who has followed my work for a while will know that I tend to start at the end of a project, knowing where my characters are going and then figuring out how to get them there. This project is no different. I have been working hard on the last quarter of the novel (this may seem like a bizarre way of working to some, but it seems to work for me). Additionally, I also have the majority of the first quarter organised and written, and also all of those chapters I tend to call my ‘marker’ chapters, which are the main event or twist points in the story. I absolutely adore this book, and I’m excited to sit down and work on it every single writing session. For me, the best part of being an author is creating and working with an idea that I love, and I really hope that, when this book is finally published, it will find those readers who connect with it and love it as much as I do.

Other project: different lengths, for different places, and for different reasons

Although I’m working on a new novel, I have also been working on a number of shorter projects, namely short stories, and also flash fiction, the latter of which is a relatively new fiction adventure for me. These stories are all highly emotive in nature and I have submitted several pieces for consideration in various magazines and competitions. When I first began my writing career almost 20 years ago, this was where I began. It feels very exciting to be spending time in this arena once again. I have always had an enduring love for short stories and now have a huge appreciation for flash fiction and the writers of it. To be able to fulfil all the requirements of this specific kind of story arc within an exceptionally tight space of 1000 words or under, and sometimes much, much less than that, requires very special skills. I look forward to developing mine further.

I find short fiction extremely satisfying to work on. I love working with story prompts, which is how the stories I wrote for and contributed towards the charity Bolts of Fiction anthology, produced by the amazingly talented Daniel Willcocks and Sam Frost, came about. I’m also a big advocate for using visual prompts, and have used a myriad of photos and paintings previously, as well as songs, as inspiration for stories. If you write stories and I’ve never tried this as a way of sparking ideas for your work, I thoroughly recommend it.

Coming soon: a new gift for my Readers’ Club VIPs

As you will be aware if you’re reading this post, elements of my Readers’ Club news and stories are now available here on my website for anyone to read. There is, also, an extra part to my Readers’ Club, a VIP section made up of readers of my books and stories. That has always been a way to sign up to this VIP section until quite recently, when I put it on pause. The reason for this is twofold: firstly, it was sparked by my return to psychological literary fiction. To my mind, those interested enough to sign up for extra communications should therefore be receiving a welcome gift in line with the kind of fiction I will be writing and talking about, going forward. This brings me to the second reason: I am in the process of creating a new signup offering which consists of psychological literary short stories, and am hoping to have this ready sometime during the autumn.

If you’re interested in signing up for my VIP section of the Readers’ Club and also receiving this welcome gift, then keep an eye on my future monthly updates and on my blog where I will share more news when it becomes available. I will also share this on social media, if you happen to follow me there.

So, really, I feel a bit like I’ve spent time as a hibernating hedgehog during this month, but as I’m really not keen on hot summer weather, hibernating with all my writing ideas has been the best fun I could have in August! It’s been a very productive month and I’m really hoping September is as enjoyable. There will be more news next month. In the meantime, if you’d like to try my more emotive and literary fiction (which can, and does, sometimes go to dark places), you could try my short story collection, The Reason for Everything, or my novel, The Secrets that Haunt Us. If you’d like to keep up with me and my writing on Instagram, or other social media, you’ll find me at @claireladdsauthor.

Filed Under: News Tagged With: author news, Claire Ladds Author, literary fiction, psychological literary fiction, Readers Club

The Secrets That Haunt Us: Read an Extract (Do You Love Prologues?, Part 1)

4th February 2023 by claireladds 1 Comment

It’s February – the month in which love abounds, obsession comes to the fore, and… murder? Well, as you would expect from me, love, obsession, murder – they all combine in my books!

Okay, so this is a bit off-topic for Valentine’s month (you’d think!), but I have a question for you. Do you love prologues in your dark fiction, be it crime, mystery, psychological thrillers or suspense? They have a bit of a love-hate relationship with readers, and over time I’ve seen some quite passionate discussions on social media about them!

Personally, I love them – with the caveat that they do need to have a purpose, a genuine reason for being there, as far as the story is concerned, and also provide the reader with that all-important ‘extra’ which makes elements of the book clearer on a whole different level. Because of their purpose, they can have a variety of functions. For instance, they can set a scene for something that comes later (sometimes called foreshadowing), or provide the reader with a snapshot of the past which influences the book as a whole. They can hide a clue to whodunnit by providing just enough information for the reader (even when the reader doesn’t know it yet!), or ultimately deepen the reader experience by providing that ‘aha’ moment about a character or incident later on, which wouldn’t have been there without the prologue. They could even be dreams or memories of a character who is very much rooted in the ‘now’ of the book, and these may impact the story in all sorts of ways.

I thought it would be fun to give you a taster of some prologues in my novels, seeing that I’ve told you I love them so much. So welcome to a four-part mini-series of extracts from my books, where you can read the prologues I’ve used to begin some dark, obsessive stories – and each and every one with murder at its heart. Maybe you can guess why I’ve used a particular type of prologue, and what purpose it serves in the overall story.

We begin with a twisted, dark version of love: The Secrets that Haunt Us. In part, this literary fiction novel is full of love, obsession, revenge and, ultimately, murder. If ever there was a story of many loves gone wrong, it’s this one! This prologue takes the form of a series of letters, which appear to have been written shortly before the ‘present day’ of the story itself.

Please note that, as my extracts are dark fiction of some kind, they are suitable for an adult readership. Please read responsibly.

Happy reading!

Claire

~~~

The Secrets That Haunt Us

TUESDAY 29TH SEPTEMBER 1970

My Emmeline,

I have been watching. Waiting. I know your face like I know my own. I know your heart like I know mine. I know everything about you. Did you truly believe you could escape my soul? We are entwined, you and I. You live within me. And I live within you.

Anything you ever wanted I gave to you. A perfect life. Everything was perfection. But you spoiled it. You spoiled everything.

Did you really believe that I would remain dead? To you, of all people? You are my obsession. My every waking thought.

Do you remember our games of chess? How you moved your pieces around the board? You have moved many pieces in the last 30 years. It’s my turn, don’t you think?

You wanted to destroy all you should have loved. It will happen. The time is nearing. We always have to pay our debts to love, don’t we?

I am coming. You are forever my Cathy; I am forever your Heathcliff. You can never escape me. And I will not rest until our torment is over.

A.

FRIDAY 6TH NOVEMBER 1970

My lovely, dearest, darling Julia,

I have agonised over how to begin this letter. I have no idea how to explain, except to say that you have been in my thoughts since the second I last saw you. I watched your tears as I went away, and I need you to know that I have never got over that sight of you.

I wish more than anything that you can forgive the way I left. There were reasons, and they are very complex. I was unable to tell you about them then. I want to tell you everything now. The whole truth. But not in a letter.

I have never left you. I have kept watch over your life. Your troubles, which made me ache for you, my wonderful, darling girl; your marriage; your unhappiness. You ARE unhappy, aren’t you, my beautiful Julia?

I need you to know that the love I had for you then remains exactly as it was. It has never changed within me, not even through all the years we have been apart. Do you feel it? In the way you always said you could? I know you do. Every day when I awake, I reach out, only to find you are not there. Do you reach for me, too? For years, I have wanted to take your hand and stroke your face with my thumb – do you remember that?

I am back in the house. I had to. I know how much you loved it. And I want you here, beside me, in it once more.

Say you will return to me. Please. Even if it is just for one day, so that we can say goodbye. I don’t want to say goodbye ever again. Do you?

Please reply to me. And please destroy this letter. It is very important that you do, my darling girl.

You are in my dreams, always.
With all the love I have always had for you,

Alex. x–x–x

SATURDAY 5TH DECEMBER 1970

My sweetest Julia,

I knew you would not fail me. I knew the moment I told you where I was that you would write. And write you did. Over and over!

You will never know what it means to me that you wrote just how much you still love me. Your forgiveness makes everything all right. I did not expect such a torrent of letters. Every one is held against my heart as I struggle with my daily life.

Please, do not cry. There were tears on your letters, darling girl. Please do not feel that your circumstances now mean that I would not want you back in my arms once more. I have always wanted a perfect baby. You can give me the chance. Please say you will.

There are reasons that I am unable to explain more clearly why I left as I did. If anyone found this letter with that explanation, then I would be in extreme danger of needing to vanish once more. I know you do not want that, do you, not now? Did you do as I asked? Did you burn the letter? Please say that you did. I don’t want to ever have to leave you, ever again. Every moment spent without you has been torture. You know how much I adore you. You belong to me. I need you with me. Without you here, my life is worth nothing.

I dreamed of us last night, lying here, your head on my chest while I read you poetry and that passage of Jane Eyre you love so much. The one about the invisible cord that fastens two hearts. There is an invisible bond between us, Julia. You have always known it, haven’t you? It cannot be broken and it pulls us together again now.

Please, my angel, say you will come. I need to see you. To hold you. I want to feel your lips on mine.

Write to me. Say you’ll come. And please burn this letter. Do not fail me.

With every drop of love and passion I have within me for you,

Your very own,

Alex. x–x–x

SUNDAY 28TH FEBRUARY 1971

Julia, my angel,

Such torrents of letters! You never need fear, I have not forgotten you, I have not changed my mind. I have been making preparations for your arrival, that is all.

It breaks my heart to know how much you have missed me. I am so, so sorry. I promise, I will tell you everything once we are together again. I think of you, and of that moment, endlessly.

Knowing you want to be with me is the greatest honour you could do me. You have no need to worry about money, my sweetest girl. The contents of the envelope inside this letter will cover all the costs of your travel. You will notice that the ticket is for next Saturday, and that it is one-way. Do not ever go back, my beautiful one. You will always be free to leave me, but I do not want you to. Oh, you have no idea how much I want you to end your days here.

My heart is ready to explode at the very thought of you on the train. Soon, my angel. Soon everything in our lives will fall into place. Only promise me you will be on the train.

Promise me. If circumstances prevent me meeting you at the station, know that I am being very careful in case we are seen, and that I will not be far away. Ultimately, you know where to find me. I will be waiting. Tell no one you are coming. No one. Please. It is important.

Remember to destroy this letter.

I will see you on Saturday. I am counting the seconds until you are with me. Then I will truly show you what love means to me.

Until then, my darling girl,

Alex. x–x–x

MONDAY 1ST MARCH 1971

My Emmeline,

The time is almost upon us. Our final battle will soon commence. It will be checkmate. Our story will end the way it was always fated that it would.

You really believed you had escaped me, didn’t you? You should have made sure I was dead. It will be your biggest regret. I promise.

Forever yours, just as you have always been forever mine,

A.


If you love prologues – and dark stories full of obsession, suspense and murder – take a look at these books

The Secrets That Haunt Us by Claire Ladds ebook

Dark and haunting secrets, lies, betrayal and vengeance.

Some secrets can’t be forgiven.

BUY HERE
Darker Minds Crime and Suspense Boxset 1

Dark minds are at work. Sometimes it takes a darker one to stop them…

BUY HERE

Filed Under: Books and Reading Tagged With: Claire Ladds Author, Claire Ladds Books, literary fiction, psychological fiction, psychological literary fiction, The Secrets That Haunt Us

Finding a writing process: how I write my books

20th August 2021 by claireladds Leave a Comment

When you read (or listen to) novels, novellas, short story collections and any other fiction or non-fiction, I wonder if you can possibly guess the processes the writer might have used to write the book you hold in your hand, or read, or listen to on your device?

I have been thinking a lot about my writing process, recently. I think this has been sparked by the realisation of just how many books I have on my computer that are in partial states of completion and that I’ve been saying I’m going to finish ‘this year’ or ‘next year’. For some of them, I’ve been saying it since 2014! I also have an absolute stack of story ideas and partial plots.

Some people have said to me that I should just write a non-fiction book for writers and put all these ideas in a ‘story prompts’ book, and actually, I would really like to write a series of books on this topic. I’m one of those people who find it extremely easy to begin projects, and I have fantastic starting energy. I also have extremely strong finishing energy. The issue comes once the first excitement of a new idea has passed and the ending is nowhere in sight. In talking to other writers, I know I’m not the only one who, left to my own devices, would have nothing but a string of story starters!

But I’m now a full-time author. ‘Oooh, I’ve got a great idea for a story,’ followed by eating a Twirl and making three cups of tea, and forgetting the book I’m meant to be working on because I want to play around with new places someone could find a corpse, or a whole new setting, or (and I’ve been known to do this numerous times) think that I can write a whole load of books in a completely different genre and play around with that for a while – none of this is going to get novels in any reader’s hands.

I heard someone say recently that if you have all the time in the world to write a book, then that book will take all the time in the world. For me, this couldn’t be more true. It took me ten years to put together The Reason for Everything, even though many of the stories in it had been written several years before I finally published it in 2019. Likewise, it took a similar length of time to write and publish the book that finally became The Secrets That Haunt Us. I put this down to all sorts of factors. I said that it was because I was nervous of the publishing process and I had to figure it out. Publishing is, in fact, very straightforward, so I had to rule this out as an excuse.

I also had to rule out the other ‘reason’ that I had been using to tell myself that any book I write is going to take me a decade. I write out of order, so that must mean that I have no idea what is happening in the book and it takes forever to try and piece the scenes and ideas together. Okay, this is true to a certain extent, but the main conclusion I came to was that I was just plain scared to get the books finished. Because being finished means it can be published, which means it can be judged. And this can be a very scary thing when you’ve poured your heart and soul into your book.

Being a full-time author doesn’t mean I’m not scared anymore. It doesn’t mean that the fear of judgement has miraculously gone away. I’m still the same person I was before, but I’ve experimented with lots and lots of different ways of working and I’ve finally found some processes that work for me. Some work for longer writing projects, some for short ones. But for me, they all start in the same place(s): character, and the ending.

Characters develop in my head long before I write about them. Eventually they have enough ‘life’ about them for me to start thinking about what might happen to them in a story. Whatever that turns out to be, I always know how I want the story to end. So I get paper and I scribble. A lot. I put the story title (a working one will do) in a circle in the centre, then I spider out from there. I put the ending in an adjoining circle and join them together. Then I look for the main plot points: the inciting incident that sets the story in motion, the high points, the twists and turns, the point of no return, and any others that I can see are important. This mind mapping is great if I’m writing a short story, but it gets pretty confusing on one sheet of paper when I want to add in all the extras that you get in a novel. So I use two things: Scrivener, which is a fabulous piece of writing software and allows you to move chapters about easily, and a pen, strips of paper and blu tac.

I love the tactile nature of pen and paper, so with a novel, I write each of my plot points on a strip of paper, and then I stick them on a board (or in my case, currently, my fridge door) and move them around until I’m happy with the order they are in. I also have markers to ensure I have the inciting incident, the point of no return, the highs, the lows, and the other points that make up a crime or suspense novel – discovery of clues, the aha moments, the showdown. That’s the point I turn them into chapters in my writing software.

So far, so good. But then what? I’ve got a story idea, yes, but no book. And I’ve got enough story ideas already, without another one falling by the wayside! Well, because I now know what each of my sections are about, I can start filling in with details. Some people will write a complete story outline, like a summary of the entire book, covering one or two sheets of paper. For some reason this doesn’t work very well for me, so I now do a ‘skinny draft’ to start off. This involves writing each section of the book if I can at this stage, and if not, then I write notes about what will happen.

Once I’ve got a complete skinny draft, I can begin the process I love best: the rewriting. This is where I can throw everything at the book that I want to include, and make it as detailed as I want. I have fun with the book, which keeps the middle part of the process alive for me – an important motivation trick for this author! I can still do this in any order I like, which suits my mentality, and because I edit the book into shape after this step anyway, filling in any plot holes and anachronisms – and hopefully eradicating plainly stupid mistakes.

So finally, this gets me to the point at which the book can have its final edit, picking up on word choices and grammatical errors, and then it gets a proofread, before I format it for e-book or paperback, or other formats. For me, too, the most important thing is that this whole process gets the book written in weeks, for the first full draft, and a few months from start to finish. That’s definitely better (for me) than a decade.

It’s taken me since 2007 to discover that this process works for me, every time. That’s a long time, and has involved a lot of trial and error, and a lot of giving up on one way or doing something and trying a new one. It may or may not work for you. Everyone has to find their own writing processes. There is an awful lot of help and advice for new writers and experienced ones alike, and some of the advice may be useful to you. And some may not. The thing is, you have no way of knowing what kind of processes work for you until you try them out. It may even be that the process you discover works for one kind of story or book but doesn’t work for another, especially if the story is in a different genre to the previous one, or it’s a novel instead of a short story, or a play instead of a novella.

All a writer can really do is take note of all the good advice out there and sift through it, trying out different ways of working until one, or a few, work for you. From personal experience, too, I would have to say listen to your instincts. If you know you’re the kind of writer who likes mind maps instead of lists, then use them. If you know you like being clear on the end of the story and then figuring out how the characters get to that point, do so. Everyone works differently, everyone has different demands on their time. Writing is a creative process; if you’re a writer, let yourself be creative in ways that you discover work best for you.

Filed Under: Writer's Notebook Tagged With: being a writer, Claire Ladds Author, literary fiction, psychological literary fiction, short story collection, writing novels, writing process, writing what you know

The Secrets That Haunt Us: a lovely 5-star review

9th July 2021 by claireladds Leave a Comment

I was absolutely thrilled to see this 5-star review pop up on Amazon from a reader who clearly loved The Secrets That Haunt Us. I have no idea which lovely reader wrote the review, but it’s extremely kind and means a great deal.

I find it very humbling when I know someone has read and enjoyed my books. In my heart of hearts, all I really want to do is write stories that people find fascinating, thought-provoking, terrifying at times, occasionally heart-wrenching, and satisfying. And crime-filled, of course!

The Secrets That Haunt Us will probably always be the book I have the softest spot for. It means many things to me.

If you would like to take a look at the book (including that first 5-star review since I re-released the novel with its new title), then you can find it on Amazon here:

Buy The Secrets That Haunt Us on Amazon

If you read on another device and buy your books from Kobo, Apple, Barnes & Noble and others, you can find the novel here:

Buy The Secrets That Haunt Us on your favourite ebook store

If you do read, or have, read it, or any of my work, I’d love to know what you think. Hearing from readers is always lovely. 😊 Please do consider leaving a review – or my books or on any author’s books that you enjoy. It really helps other people who might also enjoy them to find them more easily.

Happy reading!

Filed Under: News Tagged With: Claire Ladds Author, Claire Ladds Books, literary fiction, psychological literary fiction, The Secrets That Haunt Us

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