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CLAIRE LADDS

Author of character-driven psychological literary fiction and other darker books, all with an emotional pull

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Books and Reading

That Killer Image: Read an Extract (Do You Love Prologues?, Part 2)

11th February 2023 by claireladds 1 Comment

Welcome to the second in my mini-series as I give a bit of well-deserved love to one of my favourite writing devices – prologues (and I love reading them, too!).

The extract I have for you today is from That Killer Image, one of my Darker Minds Crime & Suspense books. I have a particular love of prologues that show the reader something that happened in the past life of one of the characters, and which directly influences the life of the clear ‘villain’ of the book. It allows the reader to keep this event in mind as they watch the villain build up to their darkest deed of all, or maybe change over the course of the story and come to terms with this event of the past. The reader has an opportunity to question the behaviour, knowing what they do about the character. It may even make the reader complicit in the dark deeds, or at best, unable to do anything but watch and shout, ‘No, don’t do it!’ But, imprisoned in the book as he/she is, the villain can’t hear you…

I’m not giving away spoilers by telling you that this prologue is all about Anthony, and if you’ve read the novel you’ll know how quickly it’s obvious that he’s going to be the bad boy of the book. We first meet him when he a small boy. Anthony loves and adores his mother, and in particular, certain features about her. A specific event that occurred in his childhood has a massive impact on his psychology – and on his dreadful motivations for what he does (which I’m definitely not giving away!) in That Killer Image. I hope you enjoy it. Or that it creeps you out, just a bit, by the end. Either way, it means the prologue did one of its jobs!

Please note that, as my extracts are crime-related books or dark fiction of some kind, they are suitable for an adult readership. Please read responsibly.

Happy reading!

Claire

P.S. I’ve replaced any swear words in the novel with ****, for the purposes of this extract. Please also be aware that this scene contains domestic abuse and death/murder and in no way condones either. If this is likely to upset or trigger you in any way, please skip this extract.

~~~

Prologue

Anthony rubbed the heels of his hands into his eye sockets. His eyelids stung and he yawned until his mouth became a gigantic hole that made the rest of his face screw up around it. That made his eyes worse. He tuned into the noise, listened in silence, until it stopped being something that rumbled up and down through the wall and turned into proper voices. There was shouting. What was the shouting for?

He peeled himself out of his bedsheets, grabbed his teddy bear, the one that Mummy had given him, and stumbled his way across the floorboards to the bedroom door. His pyjamas were still too big for him and they got under his feet and tried to trip him up, but Mummy liked them because they were blue. He wriggled the striped trousers up until the waistband was over his ribs as he pressed his ear against the door. That was Mummy’s voice on the landing. And there was a man. He’d heard that voice many times before, when he was very little. When he was five. But he was a big boy now, at nine. He was the man of the house. That’s what Mummy always said.

The handle of his bedroom door squeaked, so he was really careful to move it so slowly that the squeak got bored and didn’t bother making a noise. He opened the door just enough for half his body to lean through and he clutched Teddy tightly to his chest as the voices became clear, loud.

His feet got stuck in his pyjama legs as he inched himself into the gap and he yanked at each one in turn until his toes reappeared. The floor was cold, but not as icy as the air that blew from the landing into his room. He shivered as he watched Mummy and the man. The man who only came home when business was done, or when he needed to. The man who was his father.

Before Uncle John died, he’d told him that his father’s ‘business’ was mainly in being a guest of Her Majesty. Anthony had been so excited to tell everyone, because how many other children would be able to say their father was staying with the Queen? Then, one day, a tall boy with a big fist and missing teeth had hit him, and worse, and told him what that really meant. All the other boys had laughed and called him ‘convict’s kid’ while he’d curled up on the grass, tasting blood and clutching his ribs. That was the day he knew he hated his father.

Anthony hated him now, while he watched the man shouting into Mummy’s face. It made her look away so all Anthony could see of her was the waves in her hair. Father was holding Mummy by the shoulders now. He was shaking her. It made Anthony’s chest hurt. Nobody should be touching his Mummy. Only he was allowed. He wanted her to wrap her arms around him now, so he felt warm and she could rock him to sleep, just like on those other nights when he still had bad dreams.

Mummy was shouting into the man’s face, his father’s face, but Anthony couldn’t understand what she said. She’d never used those words to him. Mummy only ever smiled at him – smiled and sang lullabies and read him stories, and looked at him with her beautiful blue eyes. They had specks of grey in them. Each one looked like a tiny teardrop, the same shape as her silver necklace.

The lamplight at the top of the stairs lit up half of his father’s body. Half a dark beard, the side of his nose, and one big hand that now grabbed Mummy’s face while he shouted back at her. More words Anthony didn’t understand. He couldn’t see Mummy’s face, just the light shining on the edge of the teardrop shape of her necklace, and on the part that spun in the middle, and that held a picture of her and him. She said it was so she always had him close to her heart.

Anthony’s heart thumped in his chest like it had done when the boys had kicked him to the ground. Mummy and his father pushed and shoved and knocked against the handrail along the landing. The wood made cracking sounds as they thudded against the spindles. Teddy’s face squashed against the door frame as Anthony took another step forward to watch. He called out. ‘Mummy?’

His father spun to face him.

‘Get back inside your bedroom, boy.’

Anthony shot back inside the room, leaving just his head peering around the door frame, his eyes fixed on Mummy and the way she grasped onto his father’s clothes. She was shaking the front of his shirt, shrieking in his face. Anthony flinched. He hated hearing her like this. Father made Mummy like this. He would have bad dreams again, about what it was like before. It was perfect when it was just him and Mummy, and father was somewhere else and didn’t come home. Why did he have to come home?

The icy night air whipped itself around Anthony’s face as the argument went on. His father reached out and tried to grab Mummy’s necklace. She put her hand over it and screamed at his father to get out of the house. Anthony clutched Teddy to his ear to try and drown out the slap that sent Mummy’s head reeling sideways. For one second, her eyes caught his and a feeling he didn’t recognise shot through him.

‘My house. And my rules. You’re my wife and you’ll do as I **** well tell you to. What the **** are you looking at?’

His father swung around again. Eyeballed him. Took two steps towards Anthony’s bedroom door.

‘I thought I told you to go back into your room. Just like your **** mother. I’ll sort you out. You’ll learn to be like me, boy.’

Mummy’s voice screeched across the landing. ‘Don’t you dare touch him. He’ll never be like you. He’s better than you could ever be.’

Anthony stood, his feet frozen, the stripy trouser legs tangling themselves under his feet once again. His arms shook where he clung to the teddy bear that Mummy had given him on the day he was born. Father no longer seemed to care that Anthony was standing there. He was shaking Mummy. Shaking her and shaking her. He was shouting words that sounded cruel but that Anthony had never heard before. Mummy had her back against the handrail and she was gripping it until her knuckles stood out like white marbles. His father was thrusting his head at hers, saying the same words over and over.

‘You’ll do it for them. Why won’t you do it for me?’ His hand was at Mummy’s dress, pushing at the material. Pushing it up and up and Mummy was shoving him off her. But his father kept pushing and pushing his hand further and further up her dress.

Anthony was the man of the house. Mummy said so.

‘Get off her. Get off my Mummy. Leave her alone.’

His father was laughing. Laughing at him. He was saying bad things about Mummy. Bad things to him, and he didn’t want to hear these things about her because they weren’t true. Mummy was the best person in the world and he loved her and his father would not say bad things about her. He wouldn’t let him.

Anthony ran. He ran straight forward and shoved his hand and Teddy into his father’s stomach. His father grunted and he let go of Mummy and stumbled backwards, landing across the floorboards and lashing out his arms.

There was a scream. It made him clutch his teddy bear to his head and shut his eyes, just for a second. Just one. Mummy was screaming at him.

‘Help me!’

Her back was arched over the rail. Her eyes were fastened on his face.

He reached out to her, clutched his little fingers onto her dress and pulled hard. But they slipped from the fabric and she screamed again. He tried to grab her arm but the pyjamas were caught underneath his foot and he tripped. His teddy bear spun in the air and he tried to grab it but it disappeared over the handrail as Anthony crashed, hands first, into Mummy’s leg, just as her foot stopped touching the floor. Then her shoe was against his face. He tried to grab her foot but missed. She looked straight at him as the shoe came off and she screamed again.

And then there was a thud.

Anthony peered through the spindles as his father swore and yanked himself to his feet. He watched the man walk, in no great rush, down the stairs to the rug in the centre of the large hallway. Mummy was lying there. Her arms and legs were twisted in places where they didn’t usually belong. Teddy was at her side, as if he was sleeping next to her.

Anthony clawed at his trouser legs and took careful steps down the stairs, holding on tight. He felt so small and the steps felt so huge. His father was standing over Mummy. She was sleeping. Anthony knelt at her side, clutching her shoe. He put his hand on her arm, on her face, and called her name.

‘Mummy, wake up. Mummy, please wake up. Mummy?’

His father made a gasping noise as Mummy opened her eyes. She looked at Anthony. Nowhere else. He picked up the teddy bear and put it on her chest. He grabbed her arm and wrapped it around Teddy because Teddy would look after her and Teddy would make everything all right. Mummy made a noise and then she lay still.

Anthony wanted her to blink. He stared at her eyes until his own throbbed. He wanted to see the beautiful light in them, the way she always looked at him when she sang lullabies and when she told him she loved him, because nothing in the world was more perfect than she was. But her eyes looked towards the giant chandelier that hung far, far away in the ceiling. Her eyes didn’t smile. They didn’t do anything.

The front door slammed. His father wasn’t standing over Mummy anymore. It was just her and him. And those dead eyes. But Anthony didn’t see them like that. All he saw was the look they had at that moment Mummy knew that his push against her leg tipped her over the edge.

And he’d give anything to see her eyes glow like that again.


That Killer Image by Claire Ladds
BUY HERE
No Deadlier Time by Claire Ladds
BUY HERE
Show Me Dead by Claire Ladds
BUY HERE

Also available as a digital boxset

If you prefer e-book boxsets, then you can find all three of these Darker Minds Crime & Suspense books collected together. The boxset includes:

  • Show Me Dead
  • That Killer Image
  • No Deadlier Time
BUY HERE

Sign up for my Readers’ Club and get a FREE suspense book as a welcome gift.

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Filed Under: Books and Reading, Suspense Books Tagged With: Claire Ladds Author, Claire Ladds Books, Darker Minds Crime and Suspense, psychological suspense, suspense fiction, That Killer Image

The Secrets That Haunt Us: Read an Extract (Do You Love Prologues?, Part 1)

4th February 2023 by claireladds 1 Comment

It’s February – the month in which love abounds, obsession comes to the fore, and… murder? Well, as you would expect from me, love, obsession, murder – they all combine in my books!

Okay, so this is a bit off-topic for Valentine’s month (you’d think!), but I have a question for you. Do you love prologues in your dark fiction, be it crime, mystery, psychological thrillers or suspense? They have a bit of a love-hate relationship with readers, and over time I’ve seen some quite passionate discussions on social media about them!

Personally, I love them – with the caveat that they do need to have a purpose, a genuine reason for being there, as far as the story is concerned, and also provide the reader with that all-important ‘extra’ which makes elements of the book clearer on a whole different level. Because of their purpose, they can have a variety of functions. For instance, they can set a scene for something that comes later (sometimes called foreshadowing), or provide the reader with a snapshot of the past which influences the book as a whole. They can hide a clue to whodunnit by providing just enough information for the reader (even when the reader doesn’t know it yet!), or ultimately deepen the reader experience by providing that ‘aha’ moment about a character or incident later on, which wouldn’t have been there without the prologue. They could even be dreams or memories of a character who is very much rooted in the ‘now’ of the book, and these may impact the story in all sorts of ways.

I thought it would be fun to give you a taster of some prologues in my novels, seeing that I’ve told you I love them so much. So welcome to a four-part mini-series of extracts from my books, where you can read the prologues I’ve used to begin some dark, obsessive stories – and each and every one with murder at its heart. Maybe you can guess why I’ve used a particular type of prologue, and what purpose it serves in the overall story.

We begin with a twisted, dark version of love: The Secrets that Haunt Us. In part, this literary fiction novel is full of love, obsession, revenge and, ultimately, murder. If ever there was a story of many loves gone wrong, it’s this one! This prologue takes the form of a series of letters, which appear to have been written shortly before the ‘present day’ of the story itself.

Please note that, as my extracts are dark fiction of some kind, they are suitable for an adult readership. Please read responsibly.

Happy reading!

Claire

~~~

The Secrets That Haunt Us

TUESDAY 29TH SEPTEMBER 1970

My Emmeline,

I have been watching. Waiting. I know your face like I know my own. I know your heart like I know mine. I know everything about you. Did you truly believe you could escape my soul? We are entwined, you and I. You live within me. And I live within you.

Anything you ever wanted I gave to you. A perfect life. Everything was perfection. But you spoiled it. You spoiled everything.

Did you really believe that I would remain dead? To you, of all people? You are my obsession. My every waking thought.

Do you remember our games of chess? How you moved your pieces around the board? You have moved many pieces in the last 30 years. It’s my turn, don’t you think?

You wanted to destroy all you should have loved. It will happen. The time is nearing. We always have to pay our debts to love, don’t we?

I am coming. You are forever my Cathy; I am forever your Heathcliff. You can never escape me. And I will not rest until our torment is over.

A.

FRIDAY 6TH NOVEMBER 1970

My lovely, dearest, darling Julia,

I have agonised over how to begin this letter. I have no idea how to explain, except to say that you have been in my thoughts since the second I last saw you. I watched your tears as I went away, and I need you to know that I have never got over that sight of you.

I wish more than anything that you can forgive the way I left. There were reasons, and they are very complex. I was unable to tell you about them then. I want to tell you everything now. The whole truth. But not in a letter.

I have never left you. I have kept watch over your life. Your troubles, which made me ache for you, my wonderful, darling girl; your marriage; your unhappiness. You ARE unhappy, aren’t you, my beautiful Julia?

I need you to know that the love I had for you then remains exactly as it was. It has never changed within me, not even through all the years we have been apart. Do you feel it? In the way you always said you could? I know you do. Every day when I awake, I reach out, only to find you are not there. Do you reach for me, too? For years, I have wanted to take your hand and stroke your face with my thumb – do you remember that?

I am back in the house. I had to. I know how much you loved it. And I want you here, beside me, in it once more.

Say you will return to me. Please. Even if it is just for one day, so that we can say goodbye. I don’t want to say goodbye ever again. Do you?

Please reply to me. And please destroy this letter. It is very important that you do, my darling girl.

You are in my dreams, always.
With all the love I have always had for you,

Alex. x–x–x

SATURDAY 5TH DECEMBER 1970

My sweetest Julia,

I knew you would not fail me. I knew the moment I told you where I was that you would write. And write you did. Over and over!

You will never know what it means to me that you wrote just how much you still love me. Your forgiveness makes everything all right. I did not expect such a torrent of letters. Every one is held against my heart as I struggle with my daily life.

Please, do not cry. There were tears on your letters, darling girl. Please do not feel that your circumstances now mean that I would not want you back in my arms once more. I have always wanted a perfect baby. You can give me the chance. Please say you will.

There are reasons that I am unable to explain more clearly why I left as I did. If anyone found this letter with that explanation, then I would be in extreme danger of needing to vanish once more. I know you do not want that, do you, not now? Did you do as I asked? Did you burn the letter? Please say that you did. I don’t want to ever have to leave you, ever again. Every moment spent without you has been torture. You know how much I adore you. You belong to me. I need you with me. Without you here, my life is worth nothing.

I dreamed of us last night, lying here, your head on my chest while I read you poetry and that passage of Jane Eyre you love so much. The one about the invisible cord that fastens two hearts. There is an invisible bond between us, Julia. You have always known it, haven’t you? It cannot be broken and it pulls us together again now.

Please, my angel, say you will come. I need to see you. To hold you. I want to feel your lips on mine.

Write to me. Say you’ll come. And please burn this letter. Do not fail me.

With every drop of love and passion I have within me for you,

Your very own,

Alex. x–x–x

SUNDAY 28TH FEBRUARY 1971

Julia, my angel,

Such torrents of letters! You never need fear, I have not forgotten you, I have not changed my mind. I have been making preparations for your arrival, that is all.

It breaks my heart to know how much you have missed me. I am so, so sorry. I promise, I will tell you everything once we are together again. I think of you, and of that moment, endlessly.

Knowing you want to be with me is the greatest honour you could do me. You have no need to worry about money, my sweetest girl. The contents of the envelope inside this letter will cover all the costs of your travel. You will notice that the ticket is for next Saturday, and that it is one-way. Do not ever go back, my beautiful one. You will always be free to leave me, but I do not want you to. Oh, you have no idea how much I want you to end your days here.

My heart is ready to explode at the very thought of you on the train. Soon, my angel. Soon everything in our lives will fall into place. Only promise me you will be on the train.

Promise me. If circumstances prevent me meeting you at the station, know that I am being very careful in case we are seen, and that I will not be far away. Ultimately, you know where to find me. I will be waiting. Tell no one you are coming. No one. Please. It is important.

Remember to destroy this letter.

I will see you on Saturday. I am counting the seconds until you are with me. Then I will truly show you what love means to me.

Until then, my darling girl,

Alex. x–x–x

MONDAY 1ST MARCH 1971

My Emmeline,

The time is almost upon us. Our final battle will soon commence. It will be checkmate. Our story will end the way it was always fated that it would.

You really believed you had escaped me, didn’t you? You should have made sure I was dead. It will be your biggest regret. I promise.

Forever yours, just as you have always been forever mine,

A.


If you love prologues – and dark stories full of obsession, suspense and murder – take a look at these books

The Secrets That Haunt Us by Claire Ladds ebook

Dark and haunting secrets, lies, betrayal and vengeance.

Some secrets can’t be forgiven.

BUY HERE
Darker Minds Crime and Suspense Boxset 1

Dark minds are at work. Sometimes it takes a darker one to stop them…

BUY HERE

Filed Under: Books and Reading Tagged With: Claire Ladds Author, Claire Ladds Books, literary fiction, psychological fiction, psychological literary fiction, The Secrets That Haunt Us

Backstory: plotting and planning vengeance

30th August 2021 by claireladds Leave a Comment

Somewhere, hiding among the pages of every book, there is a backstory, a story that happened to the characters before the book you read actually begins on the page. It’s the characters’ personal histories, if you like: things that happened to them, memories they have, people they’ve met, events that shaped them into the person you see on the page.

I want to share with you a small piece of the backstory for The Secrets That Haunt Us. It occurs right at the beginning of the book, and takes the shape of five letters, sent to two different members of the same family – mother, Emmeline, and daughter, Julia. These letters, sent months before the book ‘proper’ begins, gives the reader an inkling that all is not only not well at home as the book gets started, but that clearly there have been events in the past which have led to the letter-writing of Alex, a man who is a most unpleasant man indeed. Vengeance has been plotted with malice and a great deal of forethought, and he intends to execute his plans for betrayals and secrets long since past.

But is he the only villain of the piece? The Secrets That Haunt Us blurs the lines between what we would automatically consider ‘good’ and ‘bad, or ‘right’ and ‘wrong’. When I wrote it, I often wondered what courses of action I would have taken, had I been in the various characters’ shoes. And the question will probably haunt me for a very long time.

I hope these five letters intrigue you into wanting to know what could have prompted Alex to plot and plan his own very particular type of vengeance – and what happens once his plans have been set in motion!

[A note on this book: The Secrets That Haunt Us is not a thriller, in any kind of genre-specific sense. It is literary fiction set predominantly on one day in the 1970s, and also going back to the 1950s and late 1930s. But there is a definite thread of malice running through one particular strand of the novel, and this is what I am focusing on here.]

~ ~ ~

Tuesday 29th September, 1970

My Emmeline,

I have been watching. Waiting. I know your face like I know my own. I know your heart like I know mine. I know everything about you. Did you truly believe you could escape my soul? We are entwined, you and I. You live within me. And I live within you.

Anything you ever wanted I gave to you. A perfect life. Everything was perfection. But you spoiled it. You spoiled everything.

Did you really believe that I would remain dead? To you, of all people? You are my obsession. My every waking thought.

Do you remember our games of chess? How you moved your pieces around the board? You have moved many pieces in the last 30 years. It’s my turn, don’t you think?

You wanted to destroy all you should have loved. It will happen. The time is nearing. We always have to pay our debts to love, don’t we?

I am coming. You are forever my Cathy; I am forever your Heathcliff. You can never escape me. And I will not rest until our torment is over.

A.

~

Friday 6th November, 1970

My lovely, dearest, darling Julia,

I have agonised over how to begin this letter. I have no idea how to explain, except to say that you have been in my thoughts since the second I last saw you. I watched your tears as I went away, and I need you to know that I have never got over that sight of you.

I wish more than anything that you can forgive the way I left. There were reasons, and they are very complex. I was unable to tell you about them then. I want to tell you everything now. The whole truth. But not in a letter.

I have never left you. I have kept watch over your life. Your troubles, which made me ache for you, my wonderful, darling girl; your marriage; your unhappiness. You ARE unhappy, aren’t you, my beautiful Julia?

I need you to know that the love I had for you then remains exactly as it was. It has never changed within me, not even through all the years we have been apart. Do you feel it? In the way you always said you could? I know you do. Every day when I awake, I reach out, only to find you are not there. Do you reach for me, too? For years, I have wanted to take your hand and stroke your face with my thumb – do you remember that?

I am back in the house. I had to. I know how much you loved it. And I want you here, beside me, in it once more.

Say you will return to me. Please. Even if it is just for one day, so that we can say goodbye. I don’t want to say goodbye ever again. Do you?

Please reply to me. And please destroy this letter. It is very important that you do, my darling girl.

You are in my dreams, always.

With all the love I have always had for you,

Alex.

x – x – x

~

Saturday 6th November, 1970

My sweetest Julia,

I knew you would not fail me. I knew the moment I told you where I was that you would write. And write you did. Over and over!

You will never know what it means to me that you wrote just how much you still love me. Your forgiveness makes everything all right. I did not expect such a torrent of letters. Every one is held against my heart as I struggle with my daily life.

Please, do not cry. There were tears on your letters, darling girl. Please do not feel that your circumstances now mean that I would not want you back in my arms once more. I have always wanted a perfect baby. You can give me the chance. Please say you will.

There are reasons that I am unable to explain more clearly why I left as I did. If anyone found this letter with that explanation, then I would be in extreme danger of needing to vanish once more. I know you do not want that, do you, not now? Did you do as I asked? Did you burn the letter? Please say that you did. I don’t want to ever have to leave you, ever again. Every moment spent without you has been torture. You know how much I adore you. You belong to me. I need you with me. Without you here, my life is worth nothing.

I dreamed of us last night, lying here, your head on my chest while I read you poetry and that passage of Jane Eyre you love so much. The one about the invisible cord that fastens two hearts. There is an invisible bond between us, Julia. You have always known it, haven’t you? It cannot be broken and it pulls us together again now.

Please, my angel, say you will come. I need to see you. To hold you. I want to feel your lips on mine.

Write to me. Say you’ll come. And please burn this letter. Do not fail me.

With every drop of love and passion I have within me for you,

Your very own,

Alex.

x – x – x

~

Sunday 28th February, 1971

Julia, my angel,

Such torrents of letters! You never need fear, I have not forgotten you, I have not changed my mind. I have been making preparations for your arrival, that is all.

It breaks my heart to know how much you have missed me. I am so, so sorry. I promise, I will tell you everything once we are together again. I think of you, and of that moment, endlessly.

Knowing you want to be with me is the greatest honour you could do me. You have no need to worry about money, my sweetest girl. The contents of the envelope inside this letter will cover all the costs of your travel. You will notice that the ticket is for next Saturday, and that it is one-way. Do not ever go back, my beautiful one. You will always be free to leave me, but I do not want you to. Oh, you have no idea how much I want you to end your days here.

My heart is ready to explode at the very thought of you on the train. Soon, my angel. Soon everything in our lives will fall into place. Only promise me you will be on the train. Promise me. If circumstances prevent me meeting you at the station, know that I am being very careful in case we are seen, and that I will not be far away. Ultimately, you know where to find me. I will be waiting. Tell no one you are coming. No one. Please. It is important.

Remember to destroy this letter.

I will see you on Saturday. I am counting the seconds until you are with me. Then I will truly show you what love means to me.

Until then, my darling girl,

Alex.

x – x – x

~

Monday 1st March, 1971

My Emmeline,

The time is almost upon us. Our final battle will soon commence. It will be checkmate. Our story will end the way it was always fated that it would.

You really believed you had escaped me, didn’t you? You should have made sure I was dead. It will be your biggest regret. I promise.

Forever yours, just as you have always been forever mine,

A.

~ ~ ~

If you’d like to know more about The Secrets That Haunt Us, you can visit my webpage for the book here.

Ready to buy? Get it on Amazon here, or on Apple, Kobo, Barnes & Noble, and many other good e-book stores here.

Filed Under: Books and Reading, Writer's Notebook Tagged With: characterisation, Claire Ladds Author, Claire Ladds Books, literary fiction, The Secrets That Haunt Us

Spell the Month in Books: August

7th August 2021 by claireladds Leave a Comment

It’s August and here in the UK it’s the height of summer (as I write this it’s pouring with rain!). When I was a kid, I was often encouraged to go outside and play in the lovely weather. Truth be told, all I really wanted to do was to curl up in a corner and read a book, hoping that the summer holidays would pass quickly and I could go back to school. I absolutely loved school, and I couldn’t stand the hot weather, so six weeks off was like torture. Luckily, I loved being at home, too, and I created reading areas in the shade. One year, my neighbourhood friends and I used my dad’s trailer shelter as a den. It was pretty good reading in there, too, if somewhat dark! (This same den is fictionalised in my Hearts & Crimes novel, The Secrets That Haunt Us).

Suffice to say that summertime became a reading frenzy for me. If you’d like a bit of mystery-oriented summer reading, then just maybe I can help you out with my August Spell the Month in Books list.

Anthem for Doomed Youth – Carola Dunn

This is the 19th Daisy Dalrymple book, and I am hooked on them! I have really enjoyed following Daisy’s exploits and the developments in her life. Daisy herself is perfectly feisty and astute, while maintaining a great wit and managing her relationships with her “interesting” family members, and her romance with DCI Alec Fletcher.

Anthem for Doomed Youth sees Daisy visiting their daughter at school – to the relief of Alec’s boss who warns Alec to keep Daisy from meddling in their newest case. Three unidentified bodies have turned up in Epping Forest, shot through the heart and Scotland Yard wants it cleared up ASAP. But just because Daisy isn’t there, doesn’t mean she’s not entangled in murder. And she can’t really help herself because a teacher at their daughter’s school ends up dead…

If you like 1920s murder mysteries with a light-handed touch, then the Honourable Daisy Dalrymple might just be your cup of aristocratic tea.

Unexpected Guest (The) – Agatha Christie (play novelised by Charles Osborne)

I became a real fan of Agatha Christie’s plays a number of years ago, some of which I have as an original stage play, and some which have been novelised. My version of The Unexpected Guest is a novelisation of Agatha Christie’s play, written by Charles Osborne, but I’ve linked above to the original stage play.

A man manages to send his car into a ditch in South Wales on a dreadful foggy night. Having escaped the car, he seeks out shelter and finds an isolated house. When he enters through the patio doors, he discovers a woman standing over her exceedingly dead, wheelchair-bound husband, complete with a gun in her hand. The man says he will help her create a cover story. But it’s clear that the woman is not guilty of murder – so who is she protecting? There are a whole house-full of suspects, and it must be one of them. But who?

I have absolutely no hesitation in recommending this book. Christie’s original play is fantastic and this novelisation has been exceedingly well written by Charles Osborne. The mystery runs hand-in-hand with suspense. What I particularly love about this is that the narrator is not completely clean cut and innocent – after all, he does offer to concoct an alibi for someone who appears to be a murderer! I’m really glad I chose this book for my August list as the play itself had its debut performance on 12th August, 1958 and it’s been performed many, many times since!

Guilty Consciences – Ed. Martin Edwards

This is a crime collection I have had on my shelf for a while and am ashamed to say that I haven’t yet read from cover to cover. Of course, books of short stories have the advantage that you can read them (usually) in any order.

This anthology brings together seventeen stories by members of the Crime Writers Association, and includes stories by esteemed authors such as Ann Cleeves, Peter James and HRF Keating, among others. The stories I have read so far have all the hallmarks of great mysteries and I am absolutely sure that I’m going to love reading the entire collection.

I would have loved to have linked to this book for you, but I haven’t been able to find it at the time of writing. If I do come across a copy, I’ll add it in here as an update.

Unnatural Habits – Kerry Greenwood

I first came across Kerry Greenwood’s mystery novels set in 1920s Australia and which give us the exploits of the high society Phryne Fisher as a series on the TV. I enjoyed the Phryne Fisher Mysteries series so much that I began buying the novels, and I haven’t been disappointed.

Phryne and her maid-sidekick, Dot, get to investigate when young, pretty, blonde girls begin to go missing from the Magdalene laundry. All of them are pregnant and there’s a big cover-up afoot. But Phryne has no intention of allowing these girls to vanish into oblivion.

What I really enjoy about Phryne is her feistiness and her refusal to give up on anyone, regardless of race or class. She treats everyone equally and, despite social tensions, she has the ability to cross those invisible borders and isn’t above investigating the most heinous and lowlife of crimes. Her sense of justice is profound. She is one of my favourite high society female sleuths.

Something Wicked – David Roberts

Originally, I think I bought this book for two reasons: firstly, I had just completed my Masters dissertation which I wrote on Agatha Christie, and the main text that I worked with was the Tommy and Tuppence novel, By the Pricking of my Thumbs; secondly the title reminded me of the Ray Bradbury book, Something Wicked This Way Comes. It was a bit of a foregone conclusion, therefore, that I’d end up buying Something Wicked!

However, I have not actually read this book (hence no recommendation link), but I can tell you what it is about. This is book 8 of a 10 book series about Lord Edward Corinth and Verity Browne. Verity has returned to England with suspected tuberculosis, and also now engaged to Lord Edward. She checks into a clinic where – surprise, surprise – Edward has to go and investigate a series of murders. He’s there because his dentist has died rather suspiciously, and so have two other patients. As war approaches and hangs over them all, Edward and Verity need to find out what, or who is casting a shadow of threat over them.

Two for Sorrow – Nicola Upson

This novel is part of the series of mysteries which fictionalise the author Josephine Tey as sleuth. In this novel, Josephine wants to write about the perpetrators of a thirty year old baby farming case. Her friend, Inspector Archie Penrose, is on a case involving the murder of a seamstress which at first glance seems to be part of a domestic fight. But it becomes clear that her death is linked to another murder – and someone wants the past to remain buried.

I find the Josephine Tey books to be extremely in depth and darker than a lot of “cozy” mystery fiction set in between the wars. Personally, I like this more sinister element of the cozy. To my mind, cozy crime fiction does not have to be light-hearted; its defining feature is that it does not have bloodshed “on the page”. Nicola Upson’s series delves deeply into the darker motivations and means of criminals, and it feels to me very much like historical crime fiction. Maybe it’s because my own work has a dark edge that I like the Josephine Tey series as much as I do.

Well, there you have it: my Spell the Month in Books for August. As always, for transparency, some of the books I mention contain my affiliate links for US readers. I only ever use affiliate links on books I have personally read and have enjoyed. You can search for the books without clicking through on this post, of course! 🙂

I hope that a book or two that I’ve mentioned here might encourage you to try a new author or a new crime and mystery-filled book, be it a novel or a short story collection. Have you read any of my August list, or are any of them among your favourites? Be sure to tell me in the comments.

Filed Under: Books and Reading Tagged With: #spellthemonthinbooks, book challenge, bookstack, Claire Ladds Author, crime and mystery fiction, mystery books

Spell the Month in Books: July

6th July 2021 by claireladds Leave a Comment

A new month brings a new blog post in which I spell the month in books. There was no post for June, due to various reasons, but I’m back again now!

This is a short month – in letters, anyway, so I have just four books for you. As usual, I’m putting my own crime spin on this book challenge, and there are a couple of my favourite detectives in this month’s haul. So, without further ado, let’s see what I’ve got in my bookstack.

Jewel that was Ours (The) – Colin Dexter

I’ve said before that I love Inspector Morse, whether it’s the novels or the TV series. This novel is no exception.

Oxford is used to having international visitors, and 27 American tourists is just par for the course. But then one of them turns up dead in his hotel room. To all intents and purposes, it looks like a terrible accident. Yet an antique has been taken from the man’s pocket, and no one seems to care. No one except Morse. When two days after this dreadful occurrence, a naked and battered body is found in the river, Morse is determined to prove that there’s a link between the two deaths.

It’s great to ‘watch’ Morse at work, solving the crimes while negotiating his way around the visiting Americans. Morse’s feel for the respectable and the rumbling irritability that often lurks within him always make such quietly amusing contrasts as he goes about his detection. Oh, and if you’ve never watched the Inspector Morse series, I thoroughly recommend it. It’s not for those who want a fast-paced detective programme, but if you like your detecting to be somewhat more cerebral, and if you love the idea that Oxford – including its university – is the setting, then this is for you.

Under the Dragon’s Tail – Maureen Jennings

When an abortionist is murdered, it comes as no great surprise to Murdoch, because she was a greedy woman who held her ‘clients’ in contempt. She may have been very discreet, but she left too many people who crossed her path angry at their treatment. Then a boy is found murdered in the abortionist’s kitchen. Why? Murdoch doesn’t know, and what’s more puzzling and disturbing is that he isn’t sure if he’s on the hunt for two separate killers, or whether there’s a link between the murders and he’s searching for just one. But who could want an abortionist and a boy dead?

Victorian/Edwardian surroundings, progress and inventions fascinates me. I recommend Murdoch Mysteries to anyone who loves a cozy mystery and a great detective story with strong characters.

Love Lies Bleeding – Edmund Crispin

I have a set of half a dozen Edmund Crispin novels involving the English professor and amateur sleuth, Gervase Fen, on my shelf, and I am sad to say that I have not yet had the opportunity to read any of them. However, I have started this one and I can say that the humour woven into the Gervase Fen books has already had me sporting a wry smile while I’m reading, and sometimes laughing out loud.

Professor Fen has been invited to hand out the prizes at Castrevenford school’s Speech Day. But trouble isn’t very far away, as the night before he is due to fulfil his engagement, two staff members end up dead. Gervase Fen is asked to put his sleuthing powers to work and find out what happened, and all kinds of shenanigans ensue!

This is a classic Golden Age mystery, with the added quirkiness and comedy not always found in all Golden Age mysteries. If you like a light-hearted tone in your mystery, then Gervase Fen might be the sleuth for you.

You Let Me In – Lucy Clarke

Finally, after using this book in previous Spell the Month in Books posts (who’d have thought I’d have such difficulty finding a crime book on my shelves beginning with a ‘y’?!), I have managed to read the novel! I can most definitely say that I’m glad that I did.

Elle hasn’t felt right since she moved into her rented house. She has the creepy feeling that someone is watching her. Everything about the atmosphere feels – strange. But she convinces herself that it’s her own imagination because she’s a writer. And she’s likely to have strange imaginings because of that, isn’t she? As paranoia and terror takes over, she knows someone is out to get her…

I absolutely loved this! I have no intention of spoiling the story, but I will say that if suspenseful books are for you, then this is a book you definitely have to read!

So, there we have it, the first post about crime, mystery and dark books for the second half of the year (where is the time going?!). Next month my Spell the Month in Books post will be a bit longer. August has more letters! 😁 If you try any of these books, or you’ve read them, do feel free to let me know in the comments. As always, my disclaimer: this post contains a few affiliate links if you’re an Amazon US user, but only to books I’ve personally read and recommend.

If you want to tell me what you’ve been reading, or are planning to read this month, you can tell me in the comments, or find me on Facebook or Instagram. And if you’ve read one of my books, I’d love to hear from you! New ones are in the pipeline. More on those very soon…

Filed Under: Books and Reading Tagged With: book challenge, bookstack, Claire Ladds Author, crime and mystery fiction, mystery fiction, spell the month in books

Short Story Month – I’m addicted to short stories!

27th May 2021 by claireladds Leave a Comment

Addicted to short stories

May has been Short Story Month. Anyone who knows me well is aware that I’m a real short story fan, so I’ve loved this, and I’ve been popping images of short story collections that I own on Instagram on and off all month. That’s been great fun. At the last count, I have 79 paperback editions of short story collections, and if I add in those on my Kindle, then I’ve got way over a hundred! It won’t come as any great surprise that almost all of them are pretty dark in some way.

I grab them from anywhere: in bookshops, online – even once at a toddler group where they had a second hand bookshelf to raise funds. I remember the very first collection I read. I was ill and in bed as a twelve year old, and I was given a copy of Ray Bradbury’s The Illustrated Man. Each of the tattoos on the man tells an individual story. I loved these stories! They told a tale in a confined amount of space, and it made everything about each one really punchy, especially the end. This way of grabbing a moment in time and wringing it for every thought and emotion to create a powerful ending is what fascinated me, as did those which left me with a dark twist or consequence, and left me pondering the rights and wrongs.

As I got older, I became fascinated with the blurred lines of moral and emotional choices in collections by great writers such as Graham Greene, Jean Rhys, Ian McEwan, Carol Joyce Oates and Agatha Christie (who wrote many more short stories than you probably realise. I have 16 collections of her stories!). This blurring, and the inner wrangles of the characters, was the thing that got me totally hooked. People are complex, and those events, thoughts and emotions which lead up to a choice between what is right and wrong can make all the difference to the outcome.

It may well have been this endless collection and devouring of short stories (which I think might be my guilty, addictive pleasure) that has enabled me to be fortunate enough to get short stories published in magazines and anthologies worldwide, and to win several competitions. I even got a trophy once! But when I tried to ‘write to market’ for the women’s magazines, I just couldn’t get it right. Envelopes kept winging their way back and dropping through my letterbox, sometimes with explanatory letters that the stories were too dark for the women’s magazine market, and consequently only one or two were accepted (one of them twice in two different countries, which was pretty great!). I had much more success with the literary magazines and anthologies, where the topics can be much more varied, not to mention darker. This suited me perfectly.

The Reason for Everything by Claire Ladds ebook

When I began publishing my own work, I always knew that I would continue writing those dark short stories – the ones full of crimes of the heart, of moral and emotional grappling with right and wrong, and those in which ordinary people are driven to the edge and crime spills over into both reality and the dark deeds which follow. This is what I achieved with my first collection, The Reason for Everything. I’m truly proud of that book. There are stories in it that make me well up and give me chills and heart-thumping moments. Even better – if a reader can leave one of my stories thinking, ‘I woudn’t have done it like that. Would I?’, or ‘I totally get why they did that,’ or it leaves them pondering those blurred lines, then that’s what makes me feel I’ve succeeded in telling the story.

Readers have contacted me and told me which are their favourites, and this always fascinates me. For a start, it always makes me thrilled that someone has taken the time to read my work(!). What interests me are the stories that they pick as favourites. There is usually something that has caused that particular reader to identify with the character in the story – although I’ll add a caveat to that: if your favourite story turns out to be ‘The death of Mr Ackworth’ and you identify fully with the main character there, then I’m more than a little concerned about you! 😂

If you’d like to grab yourself a copy of the collection which left me dubbed with the nickname ‘Mistress of Melancholy’ (I really LOVE that description! I’m very proud of it! 😁), then you can find it on your preferred store here. If you’re quick, it might even be priced at 0.99.

Happy reading!

Filed Under: Books and Reading Tagged With: short stories, short story, short story collection, The Reason for Everything, writing process, writing short stories

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