Claire Ladds

Crime and suspense author

psychological horror

Show Me Dead: Read an Extract (Do You Love Prologues?, Part 4)

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Welcome to Part 4 of my mini-series on my love for prologues, and where I’m giving you a bit of an insight into how I use them, and what they do to add that bit extra to the reading experience.

There’s a couple of things I’ve not yet mentioned in this mini-series about prologues and the functions they can serve. For me, certainly in today’s extract, these two functions go hand-in-hand. One is the way they can set the tone of the book. The extract in this post is from Show Me Dead, a suspense thriller which adopts elements of the Gothic to set its tone, and certainly also skirts the borders of horror. You’ll see that I use physical darkness in the prologue to allow the main character’s imagination and memory to run amok and reveal some of her darkest secrets, right from the beginning. The book itself allows her to explain why over the course of the story.

The other function this particular prologue serves is more of a narrative, structural device. I don’t want to say anything about the story itself in too much detail here, because I don’t want to spoil the book if you’ve not yet read it, but the device I’m talking about here is the cyclic structure. This involves beginning a book in a particular place (either physically or psychologically) and developing the story in such a way that, by the end, the structure of the story has returned to the place it started – but with massive changes. It really hits home to the reader, then, how the character has changed as a consequence of the events in the book. The prologue used this way portrays something one way in order for it to be clear that this specific ‘something’ is very different by the end of the book, or has been adapted to create a hugely different feel to the tone, or possibly even an extension of, or a complete twist on, the prologue.

As we are less than a month away from International Women’s Day as I write this, I felt it appropriate to include Angel, a character I grew to love and respect, and admire more than I can say. I traced her story through some of the most horrendous incidents imaginable. Of all my female characters so far, she stands apart as determined, resilient, and an example of strength – if a somewhat dark one (I have tears in my eyes while I’m writing this. You can tell how strongly I feel about my characters, and Angel in particular). If you have already met the character of Angel, I hope you love her. If you haven’t, then I hope she intrigues you.

Please note that, as my extracts are crime-related books or dark fiction of some kind, they are suitable for an adult readership. Please read responsibly.

Happy reading!

Claire

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No Deadlier Time: Read an Extract (Do You Love Prologues?, Part 3)

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Welcome back, to part three of my mini-series on my love for prologues. And, you know, I really do love them! I have realised that, to date, all of my novels have some form of prologue, although not all of them are labelled as such.

I love planting seeds (and definitely not the gardening kind – my dad could tell you about my efforts from a very young age at how adept I clearly was, even then, at destroying the planting!). The seeds contained in a prologue could, potentially, make or break a reader’s full experience of the story – or the story that I, as author, have imagined you will experience, that I want you to engage with and think about, long after you’ve read the book.

As I said in Part 1 of this mini-series on prologues, there are various reasons for using a prologue in a story, but the most important thing to remember as a writer is that it has to do something. It’s not just a random scene that is disconnected from the story. Quite the opposite – it’s intrinsic to the story in some way. Without it, it’s possible that there are deeper elements to the narrative, or potentially even basic and important ones, that the reader would miss out on if the prologue wasn’t there.

If you’ve read any of my books, or read the extracts in the other posts in this mini-series, you may have realised I have often used the prologue as a device to point the reader to something that happened at some time before the book ‘proper’ gets started. In the extract from The Secrets That Haunt Us, for instance, the letters directly impact the ‘present’ of the story. Because of those letters, two characters have already set their course of action for the story, and the prologue goes some way to explain why, although the full impact of those letters at the beginning is fully and tragically clear until much later on. In the extract from That Killer Image, an event in the villain’s past leads to his atrocity later in life – and here I also give the reader a sneak peek into the truly creepy, split-second, psychological moment that follows him through the entire novel.

Today’s extract is the prologue from No Deadlier Time. This book is a suspense thriller which borders on (or for some readers, is) also psychological horror. Again, because I just can’t help myself it seems, this reveals a past event which impacts so much more than the main characters of the story. It foreshadows what might happen, should Harry, a boy in this prologue, follow in his father’s footsteps once he’s older. But does he? You won’t know unless you read the book (no spoilers here!). It also introduces another character who appears in a minor role here, yet is embroiled in this family’s story in ways you can’t possibly imagine. Or can you..?

Please note that, as my extracts are crime-related books or dark fiction of some kind, they are suitable for an adult readership. Please read responsibly.

Happy reading!

Claire

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OUT NOW! No Deadlier Time

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No Deadlier Time is OUT NOW!

I am thrilled to announce that you can now get your hands on the third book in my Darker minds crime and suspense series. No Deadlier Time, on many of the e-book stores. So if you read your dark and suspenseful fiction from Apple Books, Kobo, Barnes & Noble, Amazon, and a host of other retailers, you’ll find it, sitting there, lurking, waiting… Or maybe that’s just what the ravens do in this story of murder, mystery, and psychological torment, all tinged with Gothic undertones. But is there a darker force controlling this – or is it all in the mind? I can tell you what each of the main characters think – but that would really spoil the book!

Let me introduce you to the most important people in the story, and see what you make of them.

Who’s who at Ravensmead?

HARRY ELDRITCH

Harry loves his wife, and is devoted to his best friend. Harry is susceptible to superstitions and the like, much to the amusement of his wife, Neve. But he has his reasons for owning a four-leaf clover, not walking under ladders and, in particular, being wary of the ravens and the beliefs that surround them. He left home a long time ago, refusing ever to go back there. But now it looks as if he has no choice. And no choice means fate has claimed him… but what is his fate – and will he survive it?

NEVE ELDRITCH

Neve is Harry’s wife of several years, and has known him since he was introduced to her by Mark Taylor years before. She’s happy, pregnant, and just wants one thing – for Harry to heal the rift between himself and his family. She doesn’t know what went on between them, but when the chance to get Harry back to his family home appears, she thinks this will be the perfect opportunity for them to create the perfect family life at Ravensmead. But she has no idea why Harry left in the first place, or what lies in store for them when they get there. Is reuniting Harry with his family going to be a dream come true or a nightmare waiting to happen?

MARK TAYLOR 

He is Harry’s best friend. Once upon a time he was in a relationship with Neve, but that was a long time ago. But feelings can’t always be buried, can they? His life is currently one of work, takeaways and failed – or more accurately – non-existent relationships. So, when Harry asks him to return to their childhood home of Ravensmead, he can’t think of a single reason why he would want to stay in Oxford on his own – and a number of reasons why going with Harry is the much better option. But is he going so he can help Harry with the business, and give him a shoulder to lean on, or does he have other motives?

JONAH ELDRITCH

He is Harry’s dad and, well, let’s call him a rather unpleasant chap. But he does have his reasons. From childhood, he has been told that his success and his fate lay in the hands – and the ticking – of the watch which has been passed down through his family for generations. We meet him in the prologue as a mesmerised sixteen year old, and in the book ‘proper’ as a 65-year-old man who is determined that his own son will not inherit anything from him (and, in particular, the watch). He is tormented by the darkness he believes comes from the watch, by the ravens which guard (or torment) the house, and by his own dark deeds. And the steps he takes to protect his son… they have consequences.

CLEMENCY ELDRITCH

Clemency is Harry’s mum, but they haven’t seen each other in years. She brought him up in a world of imagination, on the family library full of tales of mythology, folklore and beliefs. How much is fiction, she doesn’t know herself. Her life revolves around this library and her greenhouses, where she grows plants you’d be best not asking about! When she becomes afraid for Jonah, she writes to her estranged son and begs him to return to the family home and live there. But she doesn’t tell him the full story. Just maybe the whole horrific picture hasn’t yet unravelled for her. But it will…

RACHEL HAINES

Mrs Haines, sometimes called Rachel, is one half of the Haines couple who see to everything for the Eldritch household. And I really do mean everything. Rachel looked after Jonah after his father’s death and both she and her husband maintain complete loyalty to the family, no matter what happens. She is the eyes and ears of the house, the one to be trusted to do what’s best for the family, no matter what the cost – and she has her own secrets. In a house like Ravensmead, everyone has secrets. Rachel idolises Harry and there is nothing she wouldn’t do to protect him. Nothing at all…

And what about Ravensmead House itself? Why would Harry not want to return?

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