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CLAIRE LADDS

Author of character-driven psychological literary fiction and other darker books, all with an emotional pull

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That Killer Image: Read an Extract (Do You Love Prologues?, Part 2)

11th February 2023 by claireladds 1 Comment

Welcome to the second in my mini-series as I give a bit of well-deserved love to one of my favourite writing devices – prologues (and I love reading them, too!).

The extract I have for you today is from That Killer Image, one of my Darker Minds Crime & Suspense books. I have a particular love of prologues that show the reader something that happened in the past life of one of the characters, and which directly influences the life of the clear ‘villain’ of the book. It allows the reader to keep this event in mind as they watch the villain build up to their darkest deed of all, or maybe change over the course of the story and come to terms with this event of the past. The reader has an opportunity to question the behaviour, knowing what they do about the character. It may even make the reader complicit in the dark deeds, or at best, unable to do anything but watch and shout, ‘No, don’t do it!’ But, imprisoned in the book as he/she is, the villain can’t hear you…

I’m not giving away spoilers by telling you that this prologue is all about Anthony, and if you’ve read the novel you’ll know how quickly it’s obvious that he’s going to be the bad boy of the book. We first meet him when he a small boy. Anthony loves and adores his mother, and in particular, certain features about her. A specific event that occurred in his childhood has a massive impact on his psychology – and on his dreadful motivations for what he does (which I’m definitely not giving away!) in That Killer Image. I hope you enjoy it. Or that it creeps you out, just a bit, by the end. Either way, it means the prologue did one of its jobs!

Please note that, as my extracts are crime-related books or dark fiction of some kind, they are suitable for an adult readership. Please read responsibly.

Happy reading!

Claire

P.S. I’ve replaced any swear words in the novel with ****, for the purposes of this extract. Please also be aware that this scene contains domestic abuse and death/murder and in no way condones either. If this is likely to upset or trigger you in any way, please skip this extract.

~~~

Prologue

Anthony rubbed the heels of his hands into his eye sockets. His eyelids stung and he yawned until his mouth became a gigantic hole that made the rest of his face screw up around it. That made his eyes worse. He tuned into the noise, listened in silence, until it stopped being something that rumbled up and down through the wall and turned into proper voices. There was shouting. What was the shouting for?

He peeled himself out of his bedsheets, grabbed his teddy bear, the one that Mummy had given him, and stumbled his way across the floorboards to the bedroom door. His pyjamas were still too big for him and they got under his feet and tried to trip him up, but Mummy liked them because they were blue. He wriggled the striped trousers up until the waistband was over his ribs as he pressed his ear against the door. That was Mummy’s voice on the landing. And there was a man. He’d heard that voice many times before, when he was very little. When he was five. But he was a big boy now, at nine. He was the man of the house. That’s what Mummy always said.

The handle of his bedroom door squeaked, so he was really careful to move it so slowly that the squeak got bored and didn’t bother making a noise. He opened the door just enough for half his body to lean through and he clutched Teddy tightly to his chest as the voices became clear, loud.

His feet got stuck in his pyjama legs as he inched himself into the gap and he yanked at each one in turn until his toes reappeared. The floor was cold, but not as icy as the air that blew from the landing into his room. He shivered as he watched Mummy and the man. The man who only came home when business was done, or when he needed to. The man who was his father.

Before Uncle John died, he’d told him that his father’s ‘business’ was mainly in being a guest of Her Majesty. Anthony had been so excited to tell everyone, because how many other children would be able to say their father was staying with the Queen? Then, one day, a tall boy with a big fist and missing teeth had hit him, and worse, and told him what that really meant. All the other boys had laughed and called him ‘convict’s kid’ while he’d curled up on the grass, tasting blood and clutching his ribs. That was the day he knew he hated his father.

Anthony hated him now, while he watched the man shouting into Mummy’s face. It made her look away so all Anthony could see of her was the waves in her hair. Father was holding Mummy by the shoulders now. He was shaking her. It made Anthony’s chest hurt. Nobody should be touching his Mummy. Only he was allowed. He wanted her to wrap her arms around him now, so he felt warm and she could rock him to sleep, just like on those other nights when he still had bad dreams.

Mummy was shouting into the man’s face, his father’s face, but Anthony couldn’t understand what she said. She’d never used those words to him. Mummy only ever smiled at him – smiled and sang lullabies and read him stories, and looked at him with her beautiful blue eyes. They had specks of grey in them. Each one looked like a tiny teardrop, the same shape as her silver necklace.

The lamplight at the top of the stairs lit up half of his father’s body. Half a dark beard, the side of his nose, and one big hand that now grabbed Mummy’s face while he shouted back at her. More words Anthony didn’t understand. He couldn’t see Mummy’s face, just the light shining on the edge of the teardrop shape of her necklace, and on the part that spun in the middle, and that held a picture of her and him. She said it was so she always had him close to her heart.

Anthony’s heart thumped in his chest like it had done when the boys had kicked him to the ground. Mummy and his father pushed and shoved and knocked against the handrail along the landing. The wood made cracking sounds as they thudded against the spindles. Teddy’s face squashed against the door frame as Anthony took another step forward to watch. He called out. ‘Mummy?’

His father spun to face him.

‘Get back inside your bedroom, boy.’

Anthony shot back inside the room, leaving just his head peering around the door frame, his eyes fixed on Mummy and the way she grasped onto his father’s clothes. She was shaking the front of his shirt, shrieking in his face. Anthony flinched. He hated hearing her like this. Father made Mummy like this. He would have bad dreams again, about what it was like before. It was perfect when it was just him and Mummy, and father was somewhere else and didn’t come home. Why did he have to come home?

The icy night air whipped itself around Anthony’s face as the argument went on. His father reached out and tried to grab Mummy’s necklace. She put her hand over it and screamed at his father to get out of the house. Anthony clutched Teddy to his ear to try and drown out the slap that sent Mummy’s head reeling sideways. For one second, her eyes caught his and a feeling he didn’t recognise shot through him.

‘My house. And my rules. You’re my wife and you’ll do as I **** well tell you to. What the **** are you looking at?’

His father swung around again. Eyeballed him. Took two steps towards Anthony’s bedroom door.

‘I thought I told you to go back into your room. Just like your **** mother. I’ll sort you out. You’ll learn to be like me, boy.’

Mummy’s voice screeched across the landing. ‘Don’t you dare touch him. He’ll never be like you. He’s better than you could ever be.’

Anthony stood, his feet frozen, the stripy trouser legs tangling themselves under his feet once again. His arms shook where he clung to the teddy bear that Mummy had given him on the day he was born. Father no longer seemed to care that Anthony was standing there. He was shaking Mummy. Shaking her and shaking her. He was shouting words that sounded cruel but that Anthony had never heard before. Mummy had her back against the handrail and she was gripping it until her knuckles stood out like white marbles. His father was thrusting his head at hers, saying the same words over and over.

‘You’ll do it for them. Why won’t you do it for me?’ His hand was at Mummy’s dress, pushing at the material. Pushing it up and up and Mummy was shoving him off her. But his father kept pushing and pushing his hand further and further up her dress.

Anthony was the man of the house. Mummy said so.

‘Get off her. Get off my Mummy. Leave her alone.’

His father was laughing. Laughing at him. He was saying bad things about Mummy. Bad things to him, and he didn’t want to hear these things about her because they weren’t true. Mummy was the best person in the world and he loved her and his father would not say bad things about her. He wouldn’t let him.

Anthony ran. He ran straight forward and shoved his hand and Teddy into his father’s stomach. His father grunted and he let go of Mummy and stumbled backwards, landing across the floorboards and lashing out his arms.

There was a scream. It made him clutch his teddy bear to his head and shut his eyes, just for a second. Just one. Mummy was screaming at him.

‘Help me!’

Her back was arched over the rail. Her eyes were fastened on his face.

He reached out to her, clutched his little fingers onto her dress and pulled hard. But they slipped from the fabric and she screamed again. He tried to grab her arm but the pyjamas were caught underneath his foot and he tripped. His teddy bear spun in the air and he tried to grab it but it disappeared over the handrail as Anthony crashed, hands first, into Mummy’s leg, just as her foot stopped touching the floor. Then her shoe was against his face. He tried to grab her foot but missed. She looked straight at him as the shoe came off and she screamed again.

And then there was a thud.

Anthony peered through the spindles as his father swore and yanked himself to his feet. He watched the man walk, in no great rush, down the stairs to the rug in the centre of the large hallway. Mummy was lying there. Her arms and legs were twisted in places where they didn’t usually belong. Teddy was at her side, as if he was sleeping next to her.

Anthony clawed at his trouser legs and took careful steps down the stairs, holding on tight. He felt so small and the steps felt so huge. His father was standing over Mummy. She was sleeping. Anthony knelt at her side, clutching her shoe. He put his hand on her arm, on her face, and called her name.

‘Mummy, wake up. Mummy, please wake up. Mummy?’

His father made a gasping noise as Mummy opened her eyes. She looked at Anthony. Nowhere else. He picked up the teddy bear and put it on her chest. He grabbed her arm and wrapped it around Teddy because Teddy would look after her and Teddy would make everything all right. Mummy made a noise and then she lay still.

Anthony wanted her to blink. He stared at her eyes until his own throbbed. He wanted to see the beautiful light in them, the way she always looked at him when she sang lullabies and when she told him she loved him, because nothing in the world was more perfect than she was. But her eyes looked towards the giant chandelier that hung far, far away in the ceiling. Her eyes didn’t smile. They didn’t do anything.

The front door slammed. His father wasn’t standing over Mummy anymore. It was just her and him. And those dead eyes. But Anthony didn’t see them like that. All he saw was the look they had at that moment Mummy knew that his push against her leg tipped her over the edge.

And he’d give anything to see her eyes glow like that again.


That Killer Image by Claire Ladds
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No Deadlier Time by Claire Ladds
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Show Me Dead by Claire Ladds
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Also available as a digital boxset

If you prefer e-book boxsets, then you can find all three of these Darker Minds Crime & Suspense books collected together. The boxset includes:

  • Show Me Dead
  • That Killer Image
  • No Deadlier Time
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Filed Under: All News, Extracts, News Tagged With: crime fiction, Darker Minds Crime and Suspense, psychological thriller, read an extract, suspense fiction

The Secrets That Haunt Us: Read an Extract (Do You Love Prologues?, Part 1)

4th February 2023 by claireladds 1 Comment

It’s February – the month in which love abounds, obsession comes to the fore, and… murder? Well, as you would expect from me, love, obsession, murder – they all combine in my books!

Okay, so this is a bit off-topic for Valentine’s month (you’d think!), but I have a question for you. Do you love prologues in your dark fiction, be it crime, mystery, psychological thrillers or suspense? They have a bit of a love-hate relationship with readers, and over time I’ve seen some quite passionate discussions on social media about them!

Personally, I love them – with the caveat that they do need to have a purpose, a genuine reason for being there, as far as the story is concerned, and also provide the reader with that all-important ‘extra’ which makes elements of the book clearer on a whole different level. Because of their purpose, they can have a variety of functions. For instance, they can set a scene for something that comes later (sometimes called foreshadowing), or provide the reader with a snapshot of the past which influences the book as a whole. They can hide a clue to whodunnit by providing just enough information for the reader (even when the reader doesn’t know it yet!), or ultimately deepen the reader experience by providing that ‘aha’ moment about a character or incident later on, which wouldn’t have been there without the prologue. They could even be dreams or memories of a character who is very much rooted in the ‘now’ of the book, and these may impact the story in all sorts of ways.

I thought it would be fun to give you a taster of some prologues in my novels, seeing that I’ve told you I love them so much. So welcome to a four-part mini-series of extracts from my books, where you can read the prologues I’ve used to begin some dark, obsessive stories – and each and every one with murder at its heart. Maybe you can guess why I’ve used a particular type of prologue, and what purpose it serves in the overall story.

We begin with a twisted, dark version of love: The Secrets that Haunt Us, my dark women’s fiction novel, full of love, obsession, revenge and, ultimately, murder. If ever there was a story of many loves gone wrong, it’s this one! This prologue takes the form of a series of letters, which appear to have been written shortly before the ‘present day’ of the story itself.

Please note that, as my extracts are crime-related books or dark fiction of some kind, they are suitable for an adult readership. Please read responsibly.

Happy reading!

Claire

~~~

The Secrets That Haunt Us

TUESDAY 29TH SEPTEMBER 1970

My Emmeline,

I have been watching. Waiting. I know your face like I know my own. I know your heart like I know mine. I know everything about you. Did you truly believe you could escape my soul? We are entwined, you and I. You live within me. And I live within you.

Anything you ever wanted I gave to you. A perfect life. Everything was perfection. But you spoiled it. You spoiled everything.

Did you really believe that I would remain dead? To you, of all people? You are my obsession. My every waking thought.

Do you remember our games of chess? How you moved your pieces around the board? You have moved many pieces in the last 30 years. It’s my turn, don’t you think?

You wanted to destroy all you should have loved. It will happen. The time is nearing. We always have to pay our debts to love, don’t we?

I am coming. You are forever my Cathy; I am forever your Heathcliff. You can never escape me. And I will not rest until our torment is over.

A.

FRIDAY 6TH NOVEMBER 1970

My lovely, dearest, darling Julia,

I have agonised over how to begin this letter. I have no idea how to explain, except to say that you have been in my thoughts since the second I last saw you. I watched your tears as I went away, and I need you to know that I have never got over that sight of you.

I wish more than anything that you can forgive the way I left. There were reasons, and they are very complex. I was unable to tell you about them then. I want to tell you everything now. The whole truth. But not in a letter.

I have never left you. I have kept watch over your life. Your troubles, which made me ache for you, my wonderful, darling girl; your marriage; your unhappiness. You ARE unhappy, aren’t you, my beautiful Julia?

I need you to know that the love I had for you then remains exactly as it was. It has never changed within me, not even through all the years we have been apart. Do you feel it? In the way you always said you could? I know you do. Every day when I awake, I reach out, only to find you are not there. Do you reach for me, too? For years, I have wanted to take your hand and stroke your face with my thumb – do you remember that?

I am back in the house. I had to. I know how much you loved it. And I want you here, beside me, in it once more.

Say you will return to me. Please. Even if it is just for one day, so that we can say goodbye. I don’t want to say goodbye ever again. Do you?

Please reply to me. And please destroy this letter. It is very important that you do, my darling girl.

You are in my dreams, always.
With all the love I have always had for you,

Alex. x–x–x

SATURDAY 5TH DECEMBER 1970

My sweetest Julia,

I knew you would not fail me. I knew the moment I told you where I was that you would write. And write you did. Over and over!

You will never know what it means to me that you wrote just how much you still love me. Your forgiveness makes everything all right. I did not expect such a torrent of letters. Every one is held against my heart as I struggle with my daily life.

Please, do not cry. There were tears on your letters, darling girl. Please do not feel that your circumstances now mean that I would not want you back in my arms once more. I have always wanted a perfect baby. You can give me the chance. Please say you will.

There are reasons that I am unable to explain more clearly why I left as I did. If anyone found this letter with that explanation, then I would be in extreme danger of needing to vanish once more. I know you do not want that, do you, not now? Did you do as I asked? Did you burn the letter? Please say that you did. I don’t want to ever have to leave you, ever again. Every moment spent without you has been torture. You know how much I adore you. You belong to me. I need you with me. Without you here, my life is worth nothing.

I dreamed of us last night, lying here, your head on my chest while I read you poetry and that passage of Jane Eyre you love so much. The one about the invisible cord that fastens two hearts. There is an invisible bond between us, Julia. You have always known it, haven’t you? It cannot be broken and it pulls us together again now.

Please, my angel, say you will come. I need to see you. To hold you. I want to feel your lips on mine.

Write to me. Say you’ll come. And please burn this letter. Do not fail me.

With every drop of love and passion I have within me for you,

Your very own,

Alex. x–x–x

SUNDAY 28TH FEBRUARY 1971

Julia, my angel,

Such torrents of letters! You never need fear, I have not forgotten you, I have not changed my mind. I have been making preparations for your arrival, that is all.

It breaks my heart to know how much you have missed me. I am so, so sorry. I promise, I will tell you everything once we are together again. I think of you, and of that moment, endlessly.

Knowing you want to be with me is the greatest honour you could do me. You have no need to worry about money, my sweetest girl. The contents of the envelope inside this letter will cover all the costs of your travel. You will notice that the ticket is for next Saturday, and that it is one-way. Do not ever go back, my beautiful one. You will always be free to leave me, but I do not want you to. Oh, you have no idea how much I want you to end your days here.

My heart is ready to explode at the very thought of you on the train. Soon, my angel. Soon everything in our lives will fall into place. Only promise me you will be on the train.

Promise me. If circumstances prevent me meeting you at the station, know that I am being very careful in case we are seen, and that I will not be far away. Ultimately, you know where to find me. I will be waiting. Tell no one you are coming. No one. Please. It is important.

Remember to destroy this letter.

I will see you on Saturday. I am counting the seconds until you are with me. Then I will truly show you what love means to me.

Until then, my darling girl,

Alex. x–x–x

MONDAY 1ST MARCH 1971

My Emmeline,

The time is almost upon us. Our final battle will soon commence. It will be checkmate. Our story will end the way it was always fated that it would.

You really believed you had escaped me, didn’t you? You should have made sure I was dead. It will be your biggest regret. I promise.

Forever yours, just as you have always been forever mine,

A.


If you love prologues – and dark stories full of obsession, suspense and murder – take a look at these books

The Secrets That Haunt Us by Claire Ladds ebook

Dark and haunting secrets, lies, betrayal and vengeance.

Some secrets can’t be forgiven.

BUY HERE
Darker Minds Crime and Suspense Boxset 1

Dark minds are at work. Sometimes it takes a darker one to stop them…

BUY HERE

Filed Under: All News, Extracts, News Tagged With: Claire Ladds Books, crime fiction, dark women's fiction, psychological fiction, read an extract, suspense fiction

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