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CLAIRE LADDS

Author of character-driven psychological literary fiction and other darker books, all with an emotional pull

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Read Christie Challenge

The ABC Murders (Read Christie Challenge, March 2026): Book Which Made the Biggest Impact on Me as a Young Reader

28th March 2026 by claireladds 2 Comments

March’s Read Christie 2026 theme has been to choose and read one of Agatha Christie’s books which made the biggest impact on me as a young reader. With a prompt such as this, choices for every single reader are going to be intensely personal and individualised ones. I smiled when I saw the remit for this month because I was able to go straight to my bookcase and pick up a novel without hesitation. My choice for March is The ABC Murders. Let me explain why this has been, and will no doubt be, the easiest reading decision I make for this challenge and probably for the entire year.

So, what is The ABC Murders about? Before I go any further, I’ll give a brief explanation. Hercule Poirot receives a letter, telling him a murder has been committed in Andover – but this is a strange missive, as it comes directly from the murderer, typed, mocking Poirot and daring him to do something about it, and about the murders which threaten to follow. Indeed, the next one will be in Bexhill. The letter is signed ‘A.B.C.’. Poor Mrs Asher who runs a sweet shop in Andover is the first unfortunate corpse. So begins a series of deaths, always with a copy of the ABC railway guide left behind. Poirot, assisted by Hastings, and with Inspector Japp also joining them on the trail, need to capture this murderer as every part of the country begins to wait for it to be its turn and the victims use up all the letters of the alphabet. Meanwhile, the mentally fragile Alexander Bonaparte Cust has just been given a job selling stockings. He has all his equipment for finding his customers all across England: the stockings in a case, a typewriter, and copies of the ABC railway guide…

I was fascinated by this story, the way it built upon itself piece by piece, by the investigation and the clues until they converged in an ingenious solution right at the end, and, of course, by the distinctive characters on both sides of the moral and legal fence. If you’ve read any number of my blog posts and articles, or you follow me on social media (@claireladdsauthor, if you’d like to), you might know that I have an enduring love affair with all things Agatha Christie. This certainly isn’t because I write mysteries myself, or not in the way readers interpret conventional ‘mystery fiction’, certainly. Writers don’t write in every genre that they read. I have an immense respect for mystery fiction authors; the plotting of the crime or mystery has to be intricate and finely woven with breadcrumbs of detection and clues interspersed with red herrings, all while ensuring the characters are wonderfully developed and function as they need to. This respect I have was planted the day my dad came home from town with a copy of The ABC Murders.

I remember vividly Dad presenting it to me, as a ten-year-old. He already knew I was the kind of reader who devoured The Secret Seven (I wanted to be one of them. I’d have volunteered to be Scamper the dog’s next biscuit if it meant I could get in that shed and listen in on the secret conversations). Dad had also bought me some of the Famous Five and Nancy Drew books and had watched me devour them. But this present, on this evening, felt like something else, something special. He told me he had seen it and thought I would like reading it. Why this particular Christie book, I have no idea, but I did know that he’d bought it from our local bookshop, and I also knew that the entire middle section of the shop had multiple bookcases which only housed Agatha Christie books, with roughly ten copies of each one on the shelves. It was a sight to behold, and I used to spend ages staring at it when I went into the shop, no doubt much to the secret irritation of the man who ran the fountain pen section directly opposite. Having me propped incessantly against his glass counter I imagine did his pen sales no good at all. To his absolute credit, he was a very lovely elderly gentleman who never once asked me to move, even a little bit.

As a young reader, this was a pivotal moment in my reading. It was an indelible mark in my mind that I’d gone ‘up in the world’, had become an adult reader. This change in mindset paved the way for, not only my devoted and voracious devouring of Christie books, but also many others. My bookshelves have filled non-stop ever since, not only with Agatha Christie, but with so many kinds of books which have interested me over the years. I did move to either side of the Christie shelves in the shop (eventually, and every so often as curiosity and the need to regain bloodflow in my bookcase-rooted body drove me), to the works of the Bronte sisters, and of Thomas Hardy, and Keats and Daphne du Maurier, and Jean Rhys and Homer, Virgil, Ovid, Aeschylus and so many Ancient Greek and Roman writers, and … the list was endless, because I felt I was allowed to read beyond children’s books. That one igniting incident of being given The ABC Murders had fuelled my fire as a lifelong reader and had given me permission to explore the worlds between the pages, and to expand. It was as if my imagination had been given wings and it flew and flew, never running out of energy because it was constantly being fed.

My imagination had, of course, also been given Hercule Poirot. Dad could not have picked a protagonist more perfect for me. From the moment I began reading about him, I adored him. It led me to spend an inordinate amount of time preventing customers from seeing the full range of fountain pens available in my local bookshop’s beautiful pen section because I spent every spare minute gazing upon the Christie bookshelves, with a voracious need to hunt down every Poirot story I could lay my hands on. To aid me in my Poirot hunt and beyond, I typed up an alphabetical list on my clunky, manual typewriter, so I could tick off every Christie book I bought and read. I still have that original list somewhere. My utter adoration of Poirot from the outset has also led to many hundreds (or likely thousands) of hours watching film and TV adaptations of the Poirot books, too. This has been my solace and comfort blanket on many, many occasions, and my obsession. Even my Masters dissertation was written on Agatha Christie’s books and adaptation! This is the wonderful thing about reading. It can lead you down so many rabbit holes of complete joy and fulfilment, specific to you.

Ultimately, what I can wholeheartedly say is that, while I love the book itself, it has always been much less about the story within The ABC Murders than receiving the novel as a representation of adult fiction which has caused it to be the Agatha Christie book which has made the biggest impact on me as a young reader. I doubt my dad could have guessed at the impact giving me that one Agatha Christie book would have on the rest of my life. But I’m unendingly grateful for it. I often hear people telling me that it was ‘X’ book which hooked them on reading. I’ve been hooked all my life. It’s why, as a young reader, I always hoped for a book as a present, and as an adult I have no hesitation in giving them as gifts. I would urge anyone to give a book to someone; you never know – it could be you who begins their love for literature, and a gift that will last a lifetime.

You might also like:

The Sittaford Mystery (Read Christie 2026: Best beginning)

Death on the Nile (Read Christie 2026: Beloved characters)

Filed Under: Books and Reading Tagged With: Agatha Christie, Claire Ladds Author, crime and mystery fiction, crime fiction, Read Christie Challenge

Death on the Nile (Read Christie Challenge, February 2026): Book Containing Beloved Characters

27th February 2026 by claireladds 3 Comments

February’s task for the Read Christie 2026 challenge, as set by the Agatha Christie team, has been to read a book containing ‘beloved characters’. The team chose Mrs McGinty’s Dead, and it’s a great choice, featuring as it does both Hercule Poirot and Ariadne Oliver. As with January’s read, I have chosen to deviate from the suggested novel to reflect on my own choice for a book with characters beloved to me: Death on the Nile.

As with the Christie team’s choice, mine also contains Hercule Poirot, who happens to be my absolute favourite Christie detective, and possibly my favourite detective of all time. He was the first detective I encountered in adult crime novels, when my dad bought me a copy of The ABC Murders. I devoured it at the age of ten and became completely devoted to all of the Poirot stories. Without really realising it, I had also encountered Poirot much earlier, growing up as I did on Sunday afternoon cinematic films on the TV, several of which were the Peter Ustinov versions of Poirot, glamorous films, with Death on the Nile being one I saw multiple times, and also featuring the wonderful David Niven as Colonel Race. Moving on several decades, the David Suchet version of Death on the Nile is one of my favourite films in which he played Poirot. With all that in mind, I was always likely to be drawn to this novel like a moth to a flame. And it is the characters in the novel that I will discuss here.

Hercule Poirot

Out of all of Christie’s novels which involve recurring characters, it is Poirot who is my enduring love. I’m not even sure I can fully explain, even to myself, why he intrinsically appeals to me. What I do know is that I love his quirky dress and mannerisms, and the way he goes about picking at the carcass of a crime, piece by piece, until all the scraps of clues have been used up and explained. I also find it very endearing that he has such a humble backstory, one of being a child of a large family who had to make a success of himself to support them. A man who was injured during the First World War and was taken care of by a woman in England (and if you read The Mysterious Affair at Styles you will get a fuller flavour of this), and has a strong appreciation of poverty and desperation, and of skills of workers, which makes him an empathetic detective who treats a Duchess in the same way as he treats her maid (or, indeed, in Death on the Nile, the downtrodden, poor relation in the same way as the high-born, wealthy one).

Most of all, I love his approach to the human side of crime. He knows that, somewhere at the heart of the motive, is something intensely personal which reflects the way the victim lived their life and how it impacted the people around them. And he also shows himself to be, not just a problem-solving machine, but a human, too, considering the feelings of other people in the case, showing empathy, sympathy and, indeed, humanity. There are several cases he solves whereby he allows justice to take its course in an unconventional way. This is one of those cases, and highlights Poirot’s knowledge and acceptance that, sometimes, there are morally grey areas to consider, along with intertwined compassion for the perpetrator as well as the victim. This is, of course, Poirot’s subjective view, but it leaves the reader with plenty to consider: how would we have handled the final dishing out of justice?

The underrated sidekick

Now we turn to the sidekick. Ex-MI5 agent, Colonel Race is deployed by Christie in this role here. He appears part-way through, and is there to do some investigating of his own (the sub-plot of which I won’t spoil here). I always enjoy an appearance by Colonel Race; I find him a truly likeable man and a consummate professional, therefore a great extension of Poirot’s own impeccably performed investigations. It is interesting to watch these two professionals work through their findings. An appearance by Colonel Race always means that something much wider-reaching than a crime motivated by the private and personal is lurking in the background, which gives an extra edge of danger to the atmosphere, and therefore joining his investigations with Poirot’s reminds us that the world can be a dangerous place, both without and within our own lives. For me, Colonel Race is one of Christie’s underrated characters.

Impassioned suspect

I’ve alluded to the crimes I feel Christie is particularly expert at creating: those seeded in the intensely personal. These frequently interweave with the emotional, and are character-driven. And, as we know, getting inside the head of the people close to a crime is Poirot’s forte! There are few characters in any of Christie’s novels in which the emotional comes into play as much as in the initial prime suspect here, the impassioned Jacqueline de Bellefort. She is immediately suspected of the killing of Linnet Doyle, her former best friend who stole her ex-fiancée, Simon Doyle, and married him within weeks. After this devastation to her life, we next meet her as she follows the newly-weds to all the locations of their exotic honeymoon and confesses to Poirot that she has strong desire to shoot Linnet. Poirot both sympathises with her desperate emotions and is extremely fearful that such strength of feeling leaves Jacqueline herself in danger from her own passions.

Jacqueline frequently lingers in my mind when I think of Christie novels. Her emotional intensity has stayed with me from the very first time I read about her, decades ago. She is one of those stand-out characters who make me consider whether my actions would have matched hers, should I have been placed in her situation (which contains such huge spoilers that I cannot detail them here), and has gone a long way to inform me, as a writer, how someone could be driven almost entirely by the emotions burning within them. I believe that Death on the Nile is worth reading to follow Jacqueline’s story alone.

Other enduring characters to give us pause for thought

There are other truly enduring characters for me in this book. Once again, my choices revolve around the human qualities with which Christie has endowed them. I want to focus, in this section, then, on the mothers, and their younger female counterparts. Two mother stand out: the tormented Mrs Otterbourne, writer of romance which has been shunned by the libraries and increasingly her readership, and has turned to drink, and Mrs Allerton, possibly the most kind and caring mother that Christie ever wrote about in her fiction. The absolute pain of Mrs Otterbourne, which plays out in the tempestuous relationship she has with her long-suffering daughter, Rosalie, is placed into opposition with the almost idealised mothering of Mrs Allerton. She is an extremely endearing person, whom Poirot likes immensely, and who is ultimately able to provide comfort and love to Rosalie in a very humble, selfless manner. As a reader, I can’t help but feel desperately sorry for one, and admire the way the other is prepared to take on a ‘found family’ mother-daughter dynamic, based purely on her innate kindness of soul. Combined, they leave us with a lingering unease around the concept of motherhood, and the complexities of the mother-daughter relationship.

There are two other characters I would like to make mention of here, too: Rosalie Otterbourne, long-suffering daughter of the aforementioned Mrs Otterbourne, and Cornelia, poor and downtrodden relation of the high-born Mrs Van Schyler who has a secret. I have immense sympathy for Rosalie, dealing as she does with the difficulties of her mother’s professional and personal downfall, and struggling with her own entanglements of resentment of her mother and her undeniable love for her. Cornelia, by contrast, is blissfully unaware that she is being treated abominably by her rich relation and is grateful for the opportunities afforded her in being allowed to come on the excursion down the Nile. This unawareness and her accompanying obliging behaviour, led by the controlling Mrs Van Schyler, is what makes me have huge sympathy for Cornelia. However, what I love about both Rosalie and Cornelia is their strength of character, Rosalie’s which has had to be of a sustained nature to protect her mother, and Cornelia’s, ultimately, in choosing to follow her own path of love, unrelated to social position or money, both of which she could have and which would give her a ‘better’ life.

So then, for me, Death on the Nile contains very particular kinds of ‘beloved characters’: the repeat characters who are respectful and consummate professionals, and the women who fill this entire novel with everything it is to be human: the passion, suffering, resilience and, yes, love. In saying this, I am, of course, very aware of the discrepancy between gender roles and that males are given that of logical fact-finder and puzzle-solver whereas women are given the roles of the impassioned, the reactive, driven by a need of some kind. Yet, heading towards a hundred years after the book was written, this is what makes the women in particular stand out as sympathetic, real people, of their era and beyond, and I love that. There are other men in this novel whose actions provide the plot points for the story, such as the thief, or the fraudulent professional, yet continually it is the women who provide the heart of the story so that it is not merely a two-dimensional puzzle (and Christie’s books never are! If you don’t believe me, then I urge you to read Endless Night or And Then There Were None). This gender separation throughout may even be why the book ends with the promise of marriage between a man and woman who find a tempered middle ground between hard, factual logic and passionate interiority, thus drawing together facets of both. Could it even be Christie suggesting that extremes of either are unhelpful to us if we want to live a happy life? I’ll let you decide.

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The Sittaford Mystery (Read Christie 2026: Best Beginning)


Filed Under: Books and Reading Tagged With: Agatha Christie, Claire Ladds Author, crime and mystery fiction, crime fiction, Read Christie Challenge

The Sittaford Mystery (Read Christie Challenge, January 2026): Book with the Best Opening

30th January 2026 by claireladds 3 Comments

I am absolutely thrilled to be joining in with the Read Christie challenge for 2026. Agatha Christie has been my inspiration since I was ten years old, when my dad first gave me a copy of The ABC Murders. Little did he realise what kind of literary obsession he had started; Christie has been my constant source of reading, and remains my deep-rooted inspiration as a writer. So, how could I be even remotely reluctant to get involved with Read Christie for 2026?

So, let’s start with January’s prompt for reading. The Agatha Christie team chose ‘best opening’ for eager participants’ monthly enjoyment. What does, or could this mean? The best opening line? Best murder from the outset? Most creepy start? Something else entirely? Whichever way you interpret it, there are some great options here. Right at the top of my list would be Appointment with Death, for its first line (which I will not spoil here for you – please do go and read it! I love this book, and the TV Poirot adaptation). The Christie team chose to read The Body in the Library, a great choice in which a random female corpse is found in the library of the Bantrys, friends of Miss Marple, and sets up a marvellous plot for this book.

But, I confess, I had a more visceral reaction to the prompt and ‘best’, while left open to subjectiveness, for me became an indulgence. I’m an unashamed lover of the snow. I love everything about it – the way it looks as it falls, the stunning beauty of its undisturbed settlement on the ground and house roofs, the way you can track footprints through it, from a pigeon to the postman. And there is a Christie book which opens with, for me, an idyllic wintry landscape: The Sittaford Mystery.

The novel begins with the sparsely numbered residents of Sittaford, cut off from everywhere by the vast amount of snow which has recently fallen, being invited to Sittaford House by Mrs and Miss Willett who have blown in from abroad and rented the large house from Captain Trevelyan for the winter months. The Captain has, himself, rented a small house in Exhampton six miles’ walk away and is oblivious that, at 5.25p.m. that evening, in his house, what begins as a fun game of table turning (getting ghosts to spell words by knocking against the table while the participants link hands via thumbs and little fingers) turns into something much more deadly. At 5.25p.m., Captain Trevelyan’s own table raps out the letters to inform the guests at Sittaford House that he is dead. And that he has been murdered.

There has been a fall of several feet of snow in a village which is so insular and tiny that it only consists of the big house belonging to Captain Trevelyan and the six cottages he has had built. All told, you would barely run out of fingers if you counted the residents of Sittaford at the beginning of this novel. This snowfall in such a place doesn’t merely satisfy my aesthetic nuances, it excites me because it provides the perfect backdrop for a mystery. But why?

Firstly, it provides a wonderful atmosphere for a novel which focuses intensely on the way everywhere is isolated from the its neighbour. The unsullied snow stops being a thing of beauty and becomes a means of a kind of imprisonment for the residents, or creates complications and difficulties for movement. This then forces a ring around the people who ‘could not possibly have committed the murder’, as they were holed up together, while the snow ravished the countryside beyond. Imagine looking out of the window of a large old house into the darkness while the snow batters against the windows and believing that you have just been sent a message from beyond to inform you of the murder of the man who owns the house you are standing in. The atmosphere of a perfect wintry village changes exponentially, doesn’t it?

Indeed, the snow sets up the entire landscape of the book, both physically and structurally. It acts as an inhibitor, just as the witnesses and suspects sometimes do. The picturesque snow could also, potentially, give the game away for the culprit, should any footprints be discovered around the house in Exhampton where Captain Trevelyan’s body is discovered, and again, one look at the beautiful, snowy hillside from Sittaford village all the way downhill to Exhampton makes us wonder how anyone could have managed to get to the house to murder the Captain. Cars cannot pass, and trains are disrupted. Travelling into Exhampton from other areas has been somewhat possible, so other suspects can be ruled in as they are proven to have reason to want the Captain dead. Does this, therefore, mean categorically that no one at Sittaford could possibly have committed murder? Suddenly, everything starts to feel impossible, unsolvable as with every great mystery at some point in the story.

Perhaps most importantly of all, without the snow established to great effect at the very outset of The Sittaford Mystery, this book simply would not work. Everything relies on it. The depiction of the village is not merely picturesque and establishing a wintry atmosphere. It’s not only hinting that the snow can be dangerous and cause problems for people (both with and without the intention to murder). It is absolutely essential to the plot, the clues which Christie plants so expertly from the very beginning, and is among the most vital pieces of evidence in piecing together the means and opportunity of the guilty.

I hope you can see why, despite so many incredible choices for ‘best opening’ that I could have chosen to kick off Read Christie 2026, I have sunk straight into the snowy Sittaford. There is so much more to this deceptively picturesque beginning than meets the eye. And this is just one of the many things I absolutely adore about Agatha Christie’s books.

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Death on the Nile (Read Christie 2026: Beloved characters


Filed Under: Books and Reading Tagged With: Agatha Christie, Claire Ladds Author, crime and mystery fiction, mystery fiction, Read Christie Challenge

Read Christie 2021: my April book choice – The Seven Dials Mystery

25th April 2021 by claireladds Leave a Comment

Read Christie 2021 April: The Seven Dials Mystery

This month I have chosen to read The Seven Dials Mystery as part of the Read Christie 2021 challenge. The remit for this month was to read a story which was written before World War II. There are a number to choose from but I chose The Seven Dials Mystery because I haven’t read this book for decades. I have to say that I absolutely loved revisiting it and read it in one day, which is something I hardly every do!

This is very much a ‘young person’s adventure’ plot and also sees Christie returning to some of the characters who had their first adventure in The Secret of Chimneys. If you have read Chimneys, and recognise the mansion, you’ll probably also recognise the name of Lady Eileen Brent, commonly known as Bundle, who lives at Chimneys with her father and is irrepressible in her pursuit of the truth.

This time, Bundle and her father come back from a holiday abroad to find that a man belonging to a party of people who were renting Chimneys has died in one of their bedrooms. It certainly makes Bundle’s father give second thoughts to renting out their home while they are away in future!

It doesn’t take long for Bundle and her adventurous friends to decide that this man was murdered. The situation becomes graver when another friend dies, his last words being the mysterious ‘seven dials’.

This phrase takes Bundle and her crime-busting friends to Soho, and the discovery of masked members of The Seven Dials Society, who meet in a secret room. Who are they, and what are they planning? And were they responsible for the killings?

This book also reintroduces Superintendent Battle, who occurs in several Christie novels as the presiding investigating officer. Battle is a large man but with a very astute, softly-softly approach to getting things done. Battle acts as an enabler to Bundle’s wish to act as sleuth by giving her permission to do so, and often both of them are present as events pile up and things get most and more mysterious – and dangerous. But Bundle proves herself extremely capable of figuring out what’s been going on, surprising Battle on more than one occasion with her capabilities.

This is very much a relatively fast-moving adventure with plenty of intrigue, secrets and shenanigans. There are also some very wry twists in the plot that couldn’t help but make me smile. So much of this story is like real life in that whatever we see and believe is based on what we expect to be the case and on our preconceptions about people.

If you love Christie’s light-hearted adventure mystery novels then I think you’ll enjoy this one. Next month’s Read Christie book has to be one which features tea. I’m going to return to my favourite of Christie’s sleuths – Poirot – in After the Funeral.

Filed Under: Books and Reading Tagged With: book challenge, bookstack, Claire Ladds Author, crime and mystery fiction, Read Christie Challenge

Read Christie 2021: my March book choice – Death in the Clouds

29th March 2021 by claireladds Leave a Comment

I am back once more with my #ReadChristie2021 challenge choice, this time for March. This one was under threat all month due to my fingers being slavishly glued to the keyboard in an attempt to complete the first draft of my next book by the end of the month. Somehow, though, I’ve managed to squeeze in my reading through some matchstick-propping of eyelids. 🙂

The remit for this month was a book containing a society figure. The recommended read was Lord Edgware Dies, but I chose to read a story that I haven’t read since I was about fourteen. I picked Death in the Clouds, partly to see how much of the original story I remembered, and partly to see how it differed from the film version starring David Suchet as Poirot.

#ReadChristie2021 my March read

The setup for the story is as follows: After a visit to France, Poirot and others, some who have been to watch the tennis, some who had other reasons to be there, head to England on a plane. Poirot is among a small group of passengers in the first class compartment but, as he hates flying, he wraps himself up and tries to block out the trip altogether. As they approach the end of the flight, one of the stewards discovers one of the passengers is dead. At first glance, it appears she has been stung by a wasp, but on closer examination, it’s blatantly clear that a poisoned dart has stabbed her in the neck and a blowpipe is discovered in the back of one of the chairs, right near where Poirot had been sitting. And poor Poirot isn’t trusted, then, by most of his fellow passengers or by certain members of the authorities.

It turns out that the dead woman is a notorious money-lender, publicly known as Madame Giselle, and who targeted people with secrets which she could hold over them in order to ensure repayment of their loans. One of the passengers in that first-class compartment must have killed her somehow, even though it seems impossible that anyone could have blown a dart at the woman without being seen. But someone did, and there are a number of distinctly likely candidates. Poirot is determined to help Inspector Japp solve the case – if only to reclaim his respectability!

The trail leads them back to France to discover the secrets of Madame Giselle – including any information they can find out about the secret daughter who inherits everything. Back in England, and with the aid of two of the younger passengers, Jane grey, a hairdresser, and Norman Gale, a dentist, (and who form the beginnings of a romantic attachment as a nice little sideline) the plot gradually unfolds, despite the many attempts to misdirect and misinform Poirot, until the culprit is revealed.

So, where does the society figure come it, then? Well, of course, she is one of the suspects. Lady Horbury is an addicted gambler – and she’s also addicted in other ways, too. She really is one of those characters who make me ‘bristle’. I struggle to find anything at all in the way of a redeeming feature. And she is, as you can well imagine, a strong suspect. Whether she did a very clever job on the woman to whom she was in debt and who knew way more about her than she wanted leaking to the press or other members of her society circle, I shall not tell you – obviously!

I’m going to be honest and say that this is not one of my favourite Christie stories, but as ever with books, this is just my subjective opinion. I do, however, think that the plot device used to enable the perpetrator of the crime to do their dastardly deed was very clever. It is one Christie used several times, for example in the short story ‘The yellow iris’, which she extended and which also became the novel Sparkling Cyanide. If you’ve read them, you’ll know what I’m talking about. If not, I’m not going to spoil it for you!

As ever when I use affiliate links I let you know. Links in this post will take you to Amazon.com. I may earn a tiny commission if you choose to purchase through my link, at no extra cost to you (if you shop on Amazon US, that is).

Have you decided to join in the Read Christie challenge this year? If you have, I’d love to hear about what you’ve been reading. If not, I’d still love to hear about what you’ve been reading – I’m always happy to add to my ‘to be read’ pile! Feel free to add your recommendations in the comments.

Happy reading!

Filed Under: Books and Reading Tagged With: Agatha Christie, book challenge, Claire Ladds Author, mystery fiction, Read Christie Challenge

Read Christie 2021: my February book choice – Sad Cypress

11th February 2021 by claireladds Leave a Comment

The Read Christie 2021 challenge for February was to read a book featuring love. I knew immediately which one I was going to read. Sad Cypress is a novel I read when I was in my early teens and it has truly stuck with me for decades. I can vividly remember where I was, the weather, the seat I was on (in case you’re wondering, it was a sun bed in the back garden), and exactly how I felt when I devoured this book the first time. It, I believe, was completely responsible for my lifelong wish to write books containing poisons (which I did manage to achieve in Baby up the Chimney). Anyway, back to Sad Cypress.

Plot

Elinor Carlisle stands in the dock, accused of murdering Mary Gerrard. Elinor was in line to inherit the estate of her aunt, Mrs Welman, but after an anonymous letter, it seems that Mary Gerrard might have been getting a bit too close to Mrs Welman for some people’s liking. To make matters worse, Elinor’s boyfriend’s sudden love for Mary causes the engagement to be broken off. Meanwhile, Mary, encouraged by the local nurse, nurse Hopkins, has made a will, and now it seems she has something to leave to its recipient. Elinor, too, has made a will, leaving everything she inherits to Roddy, the ex boyfriend.

While clearing out the house and the lodge, Elinor makes sandwiches, and invites Mary and nurse Hopkins who has taken a shine to Mary and is helping out, to have lunch with her. An hour later, Mary is dead.

So, did Elinor poison Mary Gerrard with Morphine in the sandwiches, like the police think she did? Or has someone got it in for Elinor and is framing her for the murder? The local doctor is determined to get Elinor off at all costs, and enlists the help of Hercule Poirot to do so. And Poirot searches for the truth, even if that means he discovers that Elinor is guilty of murder after all.

Okay, so there’s much more to the plot than that, but I really don’t want to give you any spoilers. Onto the book itself…

One of the first things I noticed – and loved – about this book is its cyclic structure. I almost always flick through a Christie book before I start reading (I have no idea why, because I’ve inadvertently ruined the end of a few of them by doing it. I don’t necessarily recommend doing it!). In so doing with this one, though, I discovered the very interesting mechanics of this story. It is set out in three parts and includes what I would certainly describe as a prologue.

The book opens with the court case of the suspect, Elinor Carlisle, on trial, and this part is seen from her perspective. There are enough indicators in this very short section to intrigue a Christie fan and give her ample motive for murder. I became totally hooked on the character of Elinor. I’m not at all sure she’s meant to come across as particularly likeable, but she endeared herself to me, and that’s good enough for this reader!

The book is then split into three parts: the first depicts the events leading up to the murder, from the viewpoints of the characters who are all in and around the house at the time. We, therefore, get a good opportunity to find out about these characters and, in some cases, discover what is going on inside their heads and this becomes very important as we, as readers, are swayed this way and that as the book progresses. This particularly is relevant to Elinor, Mary, and the boyfriend, Roderick (Roddy). For me, I felt that my feelings were adroitly manipulated back and forth by Christie over who I felt sympathy with, but I still kept coming back to Elinor.

The second part gives us Poirot, who takes on the case at the request of Doctor Peter Lorde, and sets about interrogating the major and minor players, and typically noticing the tiny details which make all the difference to the case against Elinor Carlisle. This really is the part where Poirot fans can enjoy watching his wonderful brain at work. The clues are all there, in the detail, if only you know what you’re looking for! It’s very worthwhile paying close attention to what people say, as well as what they do.

In the final section, we return to where we started. The third section revolves almost exclusively around the court case. For anyone who loves the intricacies of the to-ing and fro-ing of arguments put forward by barristers, then this is brilliant, and I was fascinated. The ending itself, for me, was both a suitable and realistic solution to the personal issues all the characters have faced throughout, and it highlights Poirot’s astute grasp of the human heart.

If you have watched the TV film version of Sad Cypress, you will notice some differences on reading the novel. The characters’ actions are developed in such a way as to give us a definite and directed indication as to how we are meant to feel about the main characters. For me, the film gives the love triangle a contemporary dimension, altering the actions of Roddy and Mary just enough to bring about a level of overt sexual tension not quite found in the book. The film has also developed some of the scenes, particularly those that occur in letter-writing format, to bring things more inside the main house and the lodge in the grounds, too. Very handy for filmic reasons, I am sure. This, notably, includes the build up to the ending and the final discovery of the culprit. In the book, this all happens in court and very little of it involves Poirot directly. So, as far as the film goes, I’m glad the court case was substituted with other scenes – or we might not have seen much of David Suchet as Poirot at all!

I have absolutely no hesitation at all in recommending this book to anyone who wants to read a Christie mystery that is not just a very clever whodunnit with well-planted clues, but that gets inside the main character’s head in a way that wrings out your insides, and that has a really interesting play on structure.

And my March book choice? It has to be a book involving a society figure. Well, there are a number to choose from, including Death on the Nile, Lord Edgware Dies and Sparkling Cyanide. But for my choice next month, I’ve gone for Death in the Clouds. More on that in a few weeks. If you’re participating in #ReadChristie2021, I’d love to hear from you, and to know what you’ve been reading – and what you’re planning on reading. It took me ages to plan out my choices because I want to read ‘all the things’. 🙂

Whatever you’re reading, I hope you’re loving it!

Filed Under: Books and Reading Tagged With: Agatha Christie, book challenge, Claire Ladds Author, mystery fiction, Read Christie Challenge

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